Website changes / first Jacksonville NA meeting

August 6, 2013

Up and running for two weeks now and I changed the sitemap today. I think I’m going to really divide the writing and the the visual art a little bit more. I set up a gallery so that all of the drawings and paintings I’ve put up thus far can be seen on one page. From each image, you can click a link to go to the blog entry it was originally featured in, but from now on, I think I’m just going to add the images to the gallery and feature the statements there. And then I’ll use this (the frontpage) as more of a daily journal. So far as older writing like the (gasoline) story from yesterday’s update (“Funny”) or the rehab journals, I’m not sure yet. It’s early though and I’m still figuring this out so we’ll see.

I had a session with my counselor this morning, in which I decided to go to an NA meeting here in Jacksonville. I journaled about it afterward because it affected me more powerfully than NA or AA meetings usually do (in a good way). As the day went on though, I found myself feeling more and more depressed. Unreasonably depressed.

I feel really, terribly inadequate.

And since I don’t like feeling this way, I’ve got to do… something.

I don’t think I’m going to use Facebook anymore. I’ll let my website post updates for me when I post here, but I’m not going to post anything directly to my page. If you’re not a fan of these updates, tonight would be a good time to hide me from your newsfeed or remove me from your friends list.

Heather read my “life story” project last night. All 165 pages in one sitting. I was scared because it’s even more personal/confessional than anything I’ve written/posted here, but I think it was a good thing. She also told me last night though that – one thing that’s been different about me since I was away for a month to make that movie – I’m less positive. Less upbeat. And way harder on myself. I’m a lot more critical of everything I do, say, and feel. And she’s right. It wasn’t an easy month and a lot of things changed. Mostly though, my ideas about myself and who I am. I’m still sorting all of that out. Obviously, I slipped up (see: “Diazepam” from 8/1, for example) so I’ve “lost” my clean time, but that’s kind of a bullshit statement/sentiment anyway. My “clean date” was in August but I didn’t really get much better until December… but the time that I did have, spent doing the right things, doing well, doing good: I still have that. I didn’t “lose” it. And I’ve got a lot more of it coming up so long as I take care of myself and make healthy choices.

Tonight or tomorrow, I’m going to take steps to ready myself to approach some businesses in Jacksonville (later in the week) about the possibility of putting pieces on display, on consignment.

I’m also going to keep (as I have been) selling off the material things in my life that I don’t really need. I feel weighed down by so much of it. I want to get rid of enough that I can get rid of the furniture that’s been holding it all. Then again, this could be some type of substitution or projection. I don’t really know. Well, I know one thing: selling off a bunch of books and records isn’t going to make me happy. My issues are a little deeper than “clutter.”

I finished a piece today that I’m really excited to share, but it was made for someone else’s project and I don’t want to steal their thunder so I’ve got to sit on it for a little bit. It means a lot to me though and I’m really grateful that I had the opportunity to make it. More on that later, I guess.

I shipped the last of yesterday’s orders today. Some got little thank you notes with dumb little drawings on them. Nothing remarkable, but for some reason, I really like one of them, so I’ll just share that.

thankyounote

Out All Day

August 5, 2013

I sold a lot of my stuff online today. Some leftover distro stock, but a lot of personal stuff too. Tonight, I borrowed Heather’s car to scrounge up cardboard boxes to ship these things in. At the gas station where I found most of my cardboard, I also found a couple. Homeless, fucked up. Not totally unlike me a year or so ago. They wanted money and I told them I had none. I gave them a couple cigarettes and used my food stamps to get them something to drink. They wanted a ride and I told them that it wasn’t my car. They had a pretty great sob story about why they couldn’t walk. I told them I’ve fucked up too many things in my life. That I was sorry, but I can’t give strangers a ride in a car that I’ve been trusted to borrow.  I can’t take any risks.

It was sad and it sucks but it’s also [whatever]. It just is. And it’s not a big deal. But I’m proud of myself for saying “no” and for being honest about the reason why.

“Out All Day.” 6/18/13. Marker and pen on canvas board. 8x10".
“Out All Day.” 6/18/13. Marker and pen on canvas board. 8×10″.

Says, “I was out all day. No one told me I had paint in my hair ’til 11 pm. I had a shirt with me in case I went to the library. I couldn’t be happier.”

This was only my second piece done entirely with markers. My first was “Powerless Over Flexeril,” but since then I’ve done more. While on tour, I made “Lost in St. Louis” and “Fear is Killing Me” and more recently I made “Still Sick,” one of my largest pieces to date.

A couple hours before I made this, someone told me they liked my outfit and I thought they were making fun of me ’cause I barely wear any clothes. She was serious though. It made me think about how I really like the fact that I have the sort of life that rarely requires a shirt (and even more rarely requires a shirt with sleeves or a collar). I like the fact that I have the sort of life where I can have paint on my hands, on my arms, my face, and my hair, and – not only is it not an issue or a problem but – it’s not even something that anybody comments on.

As anyone that saw my painting from last night (“Blueprint For a Successful Evening“) can probably guess, things were a little off when I got up this morning. But I went about my day, did my own thing, didn’t stress about it, and everything worked out perfectly.
I’ve said it before, but it’s still true – so long as I’m cool, so is everything else.

By the way, it’s not easy leaving white space on the canvas. So – you know – be REALLY impressed by that AMAZING feat.

(This next part – don’t get me wrong: I’m not majorly bumming out or anything like that but) I am feeling just a little bit sorry for myself tonight. Or I was earlier today anyway. With all the traffic to my webstore today (people buying records and books) I’d have thought that I’d have sold at least a little bit of my artwork. But I didn’t. I can think of a lot of reasons for that (some are a little more disconcerting than others) but like the couple I met tonight at the gas station, the reasons don’t really matter. It just is how it is. And my life is still pretty excellent. And I need to remember to be grateful for that. I need to focus on all of the good things. Lucky for me, there are a lot of them so it’s not all that difficult.

And if there’s something in my life that I’d like to be different, then I need to be bold. And brave. I need to take healthy risks and I need to take responsibility for actually making change happen. I don’t just get to have the life I want. I have to be the person I want to be and do the things that… that I need to do. I have to work at it. Whatever [it] might be.

—–

Signed and numbered 9×11¼” prints of “Out All Day” are available in my webstore. The original sold in November 2013.

Funny

sarcasm
“Funny.” April 19th, 2013. Pen. 1½ x 2¾”.

I use sarcasm when I’ve got nothing else.

In treatment, I was encouraged to drop sarcasm entirely. I’m not sure if that’s possible, but (in any case) I think it’s got its time and place like anything else. I am able to see now that I was overutilizing it in moments when I felt uncertain or otherwise lacking in confidence. This – my smallest piece of expressive art – is a simple acknowledgement of fear and insincerity.

—–

Since the above isn’t much to absorb, here’s a bonus story. My memory of one day back in Summer ’08. It was a week before we left for the first Rational Anthem tour (which ended one month before I moved to DC to start law school).

—–

I spent the first half of the night shooting up and the second half nodding out on the toilet with the worst stomach pain of my life. Now itʼs morning and my tongue is black. Really black. I canʼt brush it off. I get a knife from Peteʼs kitchen and try to scrape off whatever’s on it. It does not scrape off. I get online and research possible causes. Smoking too many cigarettes? Guilty. Poor oral hygiene? It could certainly be better. Too much coffee? Maybe. Intravenous drug use? Ummm… Bismuth? What the hell is bismuth? An ingredient in peptol bismol. Oh, I take peptol bismol sometimes – that must be it!

I sold my car last week and used the money to buy a bicycle with a little engine on it. I pull the ripcord and start the ride over to Noelle’s to spend the day recording Troublemake songs. The bike runs out of gas at the bottom of a hill and the cheap plastic pedals are already broken. Excellent day so far. I walk the bike up the hill to a gas station. I fill up an empty Gatorade bottle with gasoline and mix in the oil my engine requires. I go inside and get another Gatorade to drink. I sit on a curb to smoke a cigarette before I get moving again. I reach for the bottle and take a slug. Wrong bottle. My mouth is full of gasoline. I swallow a little and spit the rest out. I am now covered in gas, my whole head is tingling, and I feel instantly ill. I go inside and get a cup with a better spout on it than my bottle, so that I can pour what remains of the gas into my tank without spilling. I sit back down and pour the gas into the Styrofoam cup, which dissolves almost instantly, spilling all of what remained onto my shirt and lap. I am now thoroughly soaked in gasoline. This moment is the culmination of every decision I have ever made over the course of my entire life.

But, when I get to Noelle’s, I find that the gas I poured into my mouth has significantly reduced the blackness of my tongue. Things seem to be looking up!

—–

Website news: By the way, if you hadn’t noticed, I’ve stopped using aliases for other people. I figure I don’t need rules. If I wanna use a real name, I will. If I wanna use an alias, I will. Whatever feels right.

Thanks for reading!

—–

The drawing featured in this entry is for sale in my webstore.

Maybe I Don’t Believe in God

August 4, 2013

Originally, I was going to spend tonight working on some art for Billy Raygun, but (as excited as I am about that) I think I need to do some expressive art therapy. I’ve got a lot on my mind and a lot that I’m stressing out about, so I’m gonna try to be present, here and now, and just paint whatever comes.

maybeidontbelieveingod
“Maybe I Don’t Believe in God.” April 19th, 2013. Tempera and oil pastels on cardboard. 14×17″.

If you take the time to read this, I think you’ll appreciate it.

Statement. June 1st, 2013.

On “the inside,” my ability to express myself authentically reached incredible new heights. Out here, in the real world, sometimes I’m inclined to put my walls back up just a little bit. I had taken to talking about God for a while. When I’d talk about God, I was just referring to my ideas about love, acceptance, and [well] reality, I guess. The word “god” was part convenient shorthand and part… it just felt right. I didn’t feel the need to explain my personal brand of faith every time I used it. I speak coherently and my words have meaning that doesn’t require an exposition of my own understanding of (what I might call) God.

But back in the aforementioned real world… (outside of the contexts of twelve-step meetings and mental health treatment facilities) “God” has certain connotations that I might not want to be associated with. I don’t want people to judge me – to misunderstand me – and see me as something that I’m not, just because I feel okay terming my beliefs as “belief in God.” “Besides,” I thought to myself, “if I know that I’m only choosing to believe in the things I do – that I don’t think there’s any absolute truth to it (or to anything else for that matter) – is that even really belief?” I wasn’t really sure and I wasn’t certain that I was willing to take the risk of espousing something that could result in my being labeled as a Christian or even as some kind of new age spirituality dweeb.

This was on my mind when I showed up to expressive art therapy group back at Tranquil Shores one day in April. “Today, we’re going to make shields,” Julie told us.

And this is what came out of me. “Fucking perfect” – is how I’m compelled to describe it now. That afternoon though, as I was painting it, I was a little unsure. When I was asked to share a little bit about my piece with the others in the group (which – aside from me – is always comprised of the facility’s current inpatients) I spewed out a summary of my journey from the fiercely irreligious, non-agnostic, non-atheist to [whatever it is that I am today].

When someone finishes sharing about their artwork, the floor is open for feedback, if anyone has any. “That was better – that was more helpful than anything I’ve ever heard my counselor say”; “I want Sam to be my counselor”; “I want Sam to be my sponsor”; “that was amazing”; and “please don’t ever stop coming back for this group” were some of the things I heard. I felt incredible. I felt blessed.

This piece isn’t about my spirituality. It’s about fear. It’s about authenticity of expression. I’ve gotten pretty good at it, but I still get scared. The quotes at the end of the preceding paragraph: I’m afraid to include them lest they be perceived as indications of arrogance. But when I stand up to my fear – when I put down my shield – and express myself honestly and authentically, the rewards are beyond description.

That’s not always easy. I started this statement with the story and background that I shared that day (about my spirituality). But – as stated – this piece isn’t about spirituality. After ninety minutes spent on this, I realized that what drove me to begin this statement in that way was the same fear that I was addressing in painting the piece that I’m writing about: a fear of being judged or labeled as someone who “believes” in something. Despite the time and energy I poured into that writing tonight, to not remove it would have been antithetical to everything you’ve just read (which was, originally, the conclusion of this statement).

I’d prefer to keep this personal, but I feel a little bit of background information is necessary here. Krokodil is a synthetic opiate that, basically, has the effect of eating the flesh off of your fucking bones. It sort of turns you into a zombie… It’s bizarre and fucked up and awful. For a time though, I reveled in krokodil; I was thoroughly in love with the concept of this people-eating drug. There’s nothing to really love about something that destroys people the way that this particular drug does though. With one exception…

I don’t know how many times I’ve heard someone say to (or about) some drug addict in their life, “Why can’t [you/he/she] just stop? Just fucking stop.” Some people say addiction is a disease. I don’t know about that (and, really, I think that’s sort of a semantic argument anyway). I know this though: if addiction was a matter of control, of self-discipline, of restraint… no one would ever inject a drug that [ahem] eats the flesh off of your fucking bones. It’s only when a person is so hopelessly crippled by their misery, self-loathing, pain, addiction, and that endless cycle of the same that they would do something as devastatingly destructive as injecting krokodil. Which, I believe, makes krokodil proof positive that when we talk about addicts, we are not talking about willpower or resolve. Disease, mental disorder, a symptom of some other ill… classify it however you want, so long as you understand that we’re not talking about a simple character defect.

I used to say I loved krokodil because it was so wonderfully dark, evil, and fucked up. Now I claim to love it insofar as it’s the ultimate evidence that conquering addiction is not something that an addict can simply decide and will him or herself into. Which one is really the truth about why I love krokodil? In all honesty, I’m not sure. Certainly there’s truth to both of them, but to what degree I’m not sure. Krokodil is emblematic of my struggle to express myself authentically. And it’s something that I need to spend more time really examining.

The writing of this statement has been revelatory and – like many of my paintings – has been “painted and repainted” to the point where it bears no resemblance to what I first put on the “canvas.” At a certain point though, whether or not I feel like I’ve reached a point of denouement, I stop painting and let a piece exist for what it is – as a snapshot of myself at a certain moment in my life. I’m told (and I know) that I am not the person I once was. For longer than I can remember, I was thoroughly negative, but – today – I have a positive energy and am a welcome presence in the lives of the people whom I care about and who care about me. Nevertheless, I am still attracted to (what I can only think to describe as) darkness. Hate, pain, tragedy – these are things that I’m more than familiar with; I’m comfortable with them. I’m no longer interested in nurturing them or living in them, but… maybe they’re just part of who I am. And maybe – so long as I’m not contributing to them – maybe that’s okay.

Or maybe not. I don’t know. I don’t know a lot of things. But I’m happy today and I like who I am today. I do good things. That’s enough.

Insecure and Overwhelmed

August 3, 2013

I’ve had (and still have) friends whose girlfriends are overweight. In years past, I remember meeting some of these girls and thinking things like, “Yeah, she seems nice enough, but I’m pretty sure [insert friend’s name here] can do better.”

It wasn’t until I started dating Heather that I ever had the thought, “Even if this girl were to gain weight, I’ll bet that I’d still be just as in love with her.” So it wasn’t until then that I actually had an understanding of how/why [whatever friend] was dating someone who didn’t have the “right” body type.

This morning, before she left for work, Heather was bumming out about her weight. Heather, however, is not overweight. She’s probably the most beautiful girl on the fucking planet. (Although – as I’ve just admitted – I may be somewhat biased when it comes to something like this). Still, I can relate. I feel for her.

It was January or February of 2012 and I was an inpatient at the Wellness Resource Center. Someone had accidentally smashed out the window next to my bed. Lying there, I thought about how anyone that were to walk past could see me. I remember contemplating going into the kitchen to get a knife. To slit my wrists or cut my throat or do whatever it might take to end my life. The reason: because I’d never be thin enough. I was thinking about killing myself because I was too fat.

At the time, (I’m pretty sure) I was about 150 pounds. Maybe 152 or 153. I don’t have a picture from that time, but to give you an idea of what we’re talking about, here’s a photo taken just now (at 147 pounds, which is close enough).

bddphoto

I’m way too familiar with the feeling of not liking myself – and when I add to that feelings of not even liking my body (my shell) – well, life starts to seem pretty unbearable. Everything starts to seem unbearable. And hopeless. And useless.

insecureandoverwhelmed
“Insecure and Overwhelmed.” March 26th, 2013. Acrylics, watercolor, marker, fabric dye, and knife. On a repurposed (framed) chalkboard. 16½x22”.

This painting was done one night when – though things were going well for me overall – I just couldn’t shake the negative thoughts in the moment. I didn’t really journal that night, but I did write one thing down. “I feel fat and I don’t wanna be me right now. No one will ever want to buy this.*** My art is good for my mental and emotional health, but rarely anything that anyone would enjoy.” Which is to say that I let my discomfort about my body/size slime through to my feelings about my art and the new path I was trying to embark on. I was letting my body image issues infect and destroy everything. They’re that powerful.

I’m pretty great at spilling my guts and clearly I just fucking love to talk about myself… But the one thing that I don’t like to talk about is anything related to my body. You see: if I think I’m fat, but I acknowledge that I have body dysmorphic disorder (because mental health professionals have told me that I do), then that’s an acknowledgement that I’m not really fat. And then I’m a fat idiot in denial about how fat I am.

I’m doing much better with this stuff these days than I ever have in the past. And talking (or writing) about it as I am now, (I think) is an important part of that.

***Despite this painting having the words “no one will ever want to buy this” on it, it did – in fact – sell pretty quickly. There’s also a series of 9×12″ prints but (like much of my super-early work) it’s not listed in the webstore. If you really want one though, just buy any other print and then put a note on your order letting me know that you actually want “Insecure and Overwhelmed” instead.

When I typed that last paragraph/footnote, I initially described this as my “super early, not-very-good work” (instead of just “super early”). I changed that ’cause I do still like it (and most of my other) really early work. I don’t think it’s bad. But it’s certainly not as good as the stuff I’d be making even just six months later. So while I’m not embarrassed of pieces like “Insecure and Overwhelmed,” they’ll probably never be in the webstore only ’cause I don’t want those pieces to be the first thing seen by someone who’s discovering my art for the first time.

Note to Self or: A Pile of Red Boxes Dances Along to the Raging Spiritual and Moral Conflicts That Rattle His (Presumably) Cardboard Bones

August 2, 2013

"Note to Self (or: A Pile of Red Boxes Dances Along to the Raging Moral and Spiritual Conflicts That Rattle His (Presumably) Cardboard Bones)." 3/3/13. Acrylics and ink. 9x12".
“Note to Self (or: A Pile of Red Boxes Dances Along to the Raging Moral and Spiritual Conflicts That Rattle His (Presumably) Cardboard Bones).” 3/3/13. Acrylics and ink. 9×12″.

Statement written March 3rd, 2013.
Most treatment centers cut you loose after 28 days. That wouldn’t have done it for me. The one I went to (this time around) is a (roughly) 90-day program. I wasn’t ready to leave after 90 days. On my 115th day, I half-heartedly tried to kill myself. Two days later though, things started to fall into place after I had a bit of an epiphany that (probably) comes to other people far earlier in life. It was pretty simple: “I can be whoever I want to be.” In other words, if I want to be honest, all I have to do is tell the truth. If I want to be a good friend, I have to be compassionate and reliable (among other things). That was a huge deal for me. This piece is an extension of that. I have a hard time calling myself an artist, but if I make art, then – shit – that makes me an artist. On the other side of the coin, if I waste my life away at some minimum wage job, doing things that I don’t care about – if I spend my days behind a cash register and my nights in front of a television – that would make me something else. I don’t want to be whatever that is.
The image I drew somewhat unconsciously on an application (to sell art at a street market). I don’t usually re-draw/paint things, but I really liked how joyful that little robot or pile of boxes looks. So I wanted to make it into something more than a scrap of paper. As for the eyes, I use the two crosses for eyes a lot. I’m not a Christian, but I like the symbol of the cross as a balance to the inverted cross that I’ve pretty much always been a fan of. I need balance. For too long, I only embraced the dark side of things. So crosses for eyes are a stand-in for my internal spiritual and moral conflicts. As for the teeth – they’re mine. My teeth aren’t really that bad, but I still struggle with self-image issues so… I don’t know. This is one way that I guess I try and deal with that.
The question, “What did you do today?,” Well, I painted this. And now I’m setting up a webstore because if I really want to make a living with my artwork, I should probably take steps to make that happen.

—–

This piece is with one of my counselors from Tranquil Shores, Julie. She does the expressive art therapy group. Without her, I probably never would have started drawing or painting and I don’t know where I’d be today or who I’d be today.

The only bad part of moving to Jacksonville was moving further away from Tranquil Shores. I miss everyone.

—–

Signed, limited edition (#/50) 12×15½” prints are available in my webstore. Each print is packaged in a sealed Crystal Clear acid/lignin-free plastic archival sleeve, with a heavy backing board, and a single sheet artist’s statement on the reverse. Shipping and handling is free.

The original painting is no longer available (I gave it to my art therapy counselor). If you’d like to see it, just develop a serious substance abuse problem, check yourself into treatment at Tranquil Shores, and peek inside her office.

Diazepam

August 1, 2013

Someone made the mistake of asking me to transport a bottle of diazepam for a friend. Sounds like trouble in river city!

diazepam
“Diazepam (My Hands Still Shake).” August 1st, 2013. Acrylics and ink. 10×10″ block of wood.

Those of you that followed my progress / story / artwork may remember that back in – oh, when was it – April (probably) I made a piece that addressed how it had become more difficult to be as thoroughly transparent about my feelings as it had been back when I was still living inside the walls of a treatment facility. I believe that I addressed it specifically in my piece, “Maybe I Don’t Believe in God.”

What very few of you know is that I have been compelled for reasons (somewhat) beyond my control to be even less honest in the last month or so. You see, sometimes the choices that I make have repercussions for people that are not… um… me. And that puts a person in a little bit of a moral/spiritual grey area. On the one hand, I want (maybe even need) to be “rigorously honest” (as they say in “the rooms”). But I live in a world where things can get a little complicated and I’ve allowed myself, recently, to slip into a pattern of lying by omission. I carry many of these lies today. Some of them, some of you are aware of. I have confided in you. Others, remain totally in the dark. Today, however, I am choosing to be fully honest. Here is how I spent my day.

I drank coffee, ate some breakfast, bullshitted around the apartment, ate some diazepam, ran some errands, dyed my hair, ate more diazepam, painted this picture, and then – without any real concern for the paints and painting adjacent to me on the couch, stretched out (lying on top of them), and took a nap for a while. And then I hung my stupid confession on the same wall that I’ve been hanging all my newest “works of art” on. My girlfriend came home (remember: silly as it may seem, since she’s my current girlfriend, I’m not using any real names on this website). From there, we mostly continued where we left off last night. Not talking to or really even acknowledging one another. I love her, she loves me. But things are not going well these last couple of days. Maybe it’s the fact that I’m FUCKING EATING DIAZEPAM. Or maybe that’s a symptom of the larger problem. Either way, I am not happy. And while I recognize that a lot of people are something less than happy a lot of the time, it’s not really something that I’m particularly great at. When I get unhappy, I sometimes begin to behave in ways that have a pretty good chance of fucking killing me. I’ve learned other ways to deal with that discontent, but my usual methods of feeling better are not working out so well for me lately. It’s not for a lack of trying. I’ve been painting like a motherfucker, I’ve seen a mental health counselor twice in the last four days, and I’ll see another on Saturday and another on Tuesday. Whatever the issue is… fuck if I know.

I am tentatively making plans to bail the fuck out of Jacksonville. I love this girl, but I don’t know if that’s enough. And maybe – just maybe – I’d be doing her a favor by leaving. It’s entirely possible that I am not cut out for sharing a life with another human being. My own mental illness is – sometimes – all that I can manage. Having to help someone else with their own… may be beyond my range of capability. It’s possible that I make a better friend than I make a boyfriend. Shit – just ask my last serious girlfriend – we’re doing great as friends! (Isn’t that right, [girl whose name I won’t use]?) It was probably selfish and fucked up of me to ever get involved in the first place. After all, she probably didn’t fully understand exactly what she would be getting herself into. And I certainly did my best, at the time, to convince her that all was well. I was healed, after all!

So, here’s the general game plan… I have way too much stuff and whether I leave or not, I feel like it’s time to slim the fuck down. All of my records, books, etc, are now for sale. And of course ALL OF MY ART IS FOR SALE. (PLEASE BUY SOME OF IT). Ignore the prices in the store. I will cut you a god damn deal.

One last note, as I wrote on Facebook earlier this evening…

Would it be fair to say that we’ve pretty much established that I have no problems when it comes to disclosing personal details of my life to the Internet at large?
Okay, cool. Glad we’re on the same page.
NOW… if something I’ve written means something to you and you wanna tell me about it… Awesome! I appreciate that kind of shit. It’s inspiring, encouraging, and totally welcome.
Similarly, if you’d like to share something *with me* about your own life that you think might be helpful… Awesome! That kind of feedback is also great and I really appreciate it!
BUT if you reach out to me just to ask for MORE details about what’s going on with me… If you have nothing to offer me and you just want the inside scoop for your own weird selfish (probably ego or gossip related reasons) well… feel free to fuck right off with that shit.
My life is hectic enough without having to play twenty questions with every asshole that wants a piece of me.
Love, Sam

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