The Luckiest Little Shit (in the World)

“The Luckiest Little Shit (in the World)” | 1/4/2026 | acrylics and pigment ink on canvas | 40 x 30 in

If there’s a central THESIS to my body of work, it’s that life can be a FUCKING DRAG but we’ve gotta try our best all the same.1 

It’s probably a consequence of the specific “world” I grew up in but I don’t really know too many people who are succeeding. A lot of my friends struggle. Some aren’t especially happy

I don’t envy my friends that put in 40 hours on shit they don’t particularly like, to make some dipshit (that’s dumber than they are) richer than they are. 

And then they pay rent. To a LANDLORD. Because he owns the properties. Inherited, or bought with money most of us will never have. 

The system is fucked. AND WE’RE (mostly) WHITE KIDS. (Or more recently/accurately, white “adults”). We’ve got SOME DEGREE OF PRIVILEGE.

Then again, like attracts like; my friends are like me. And being a working-class, too-smart-for-your-own-good basketcase isn’t exactly a recipe for UPWARD CLASS MOBILITY.

There’s this lyric: “the decks are stacked and the house always wins when the dealer’s crooked … but we’ve been counting cards. We’re fucking fed up; shit’s gone too far.”2

I love that line. The world’s gonna cheat us and we’ve still gotta play the hand we’re dealt, so fuck THEIR rules. We’ll play it our way, with every trick we’ve got.

I often describe my art career as “A PRETTY GOOD SCAM.” That’s honestly what it feels like.

I wake up every day and do whatever the fuck I want. I write about myself and paint funny faces in ridiculous colors – and then I get paid for it. I’m not rich, but I’m not poor either. In the last year, I’ve loaned or given money to friends and family that have fucking jobs.

This is, of course, not solely a consequence of my own brilliance. I work seven days a week to ensure my future as the world’s MOST HIGHLY REGARDED ARTIST, but it’s not lost on me that what I do is not an option for everyone. It’s such a bizarre confluence of circumstances, attributes, inclinations, luck (good and bad) that make my life possible.

When I started down this path, I had zero technical ability as an artist (AND I’VE NOT GAINED MUCH SINCE THEN). I’ve refined my eye for color and composition, but what I have most of all is a personality, a worldview, and the ability and willingness to articulate it (in a way that other people find funny, insightful, and resonant). That’s been the key ingredient in my success. I’m the only person in the world who can do exactly what I do.

But my broken brain, personality, worldview, and INABILITY TO EVER SHUT THE FUCK UP also led me to heroin. And heroin has eaten years of my life and taken me to horribly traumatic places that I’d tell you about IF I WANTED TO START CRYING RIGHT NOW.

Ultimately, heroin led me to expressive art therapy. Which I hated because I was bad at it. But I really liked the way the other mental cases responded when it’d be my turn in group to talk about what I’d made. They laughed when I wanted. They were affected when I wanted. And they fed me praise.

Returning to the world, I needed an income, but I’d never successfully held a job. I’m INSUBORDINATE.

Though I didn’t have the first clue if it was even possible, or how to go about it, I decided to see if anyone would buy my art. Turns out it was possible right outta the gate.

Three years later, I experienced the worst trauma of my life, fell the fuck apart, relapsed for 8 years, and resigned myself to failure and addiction forever. Until my girlfriend decided the future might look better with someone else. So I got clean (TO SHOW HER) and started painting again. I anxiously anticipated it blowing up in my face, but didn’t know what else to do. 

Wanna know the really fucked up part? A year and change later, I’m happier than I’ve ever been. I wake up excited each day. I’m excited for the future.

Monday through Thursday is a lot of writing, inventory, accounting, logistics, booking, website and bus maintenance.

Friday through Sunday, I set-up a killer display of THE BEST FUCKING ART EVER MADE and I work on my latest painting while singing along to all my favorite punk rock, as strangers give me their money in exchange for the products of my mental illness, my personality, my traumas, and my victories. 

A lot of my life’s been pretty miserable. I’ve got some dark stories. I’ve lived through dark YEARS.

But “The Luckiest Little Shit in the World” is a victory product. It’s a victory lap on 2025, when I relaunched my art career, killed it, and had a fucking blast. It’s really not even fair how much fun I’m having and how much the world rewards me for it. I really do feel like the luckiest little shit in the world.

FOR NOW. Fear and anxiety are never far from my mind. These good feelings are fairly new and I’m still sorta broken – I’m still me – and thank fucking god for that.

It’s the key ingredient.


Statement is done. Tap here to read the personal updates that will soon embarrass me.

  1. There’s a lot here that calls to mind earlier work. The other paintings featured in this blog entry are the ones with statements I’ve hyperlinked in the body of the text. ↩︎
  2. The song I’m referencing is “Countin’ Cards” by Escape from the Zoo: ↩︎
  3. Nope – it’s in the statement for “All the Time Lost,” which I’ve not yet published online. ↩︎

(I’m) So Smart (I Got Life Lessons Dripping Out My Butthole)

Inpatient facility. 2012. The assignment was to write a list of ten “core beliefs” – my absolute truths – through which I filter every experience. They were pretty dark. 

  • #1: I am ugly.
  • #2: I am a problem. 
  • #5: I am only tolerated.
  • #10: Nothing matters.

But there was one out of the ten that was positive.

  • #4: I am smart.
“So Smart” | 11/23/2025 | acrylics and pigment ink on canvas | 12 x 36 in

When I was a kid, I thought I was so smart that things would just sorta work out for me no matter what. I ignored all conventional advice. Took nothing seriously. 

As a teenager, I told my dad that I’d been shooting heroin for a year, (I think mostly) just to see how he’d respond. He kinda sighed and said, “Well, at least you’re not smoking crack. I hear that’s the drug that will hook you immediately and destroy your life.” 

So the next day, I smoked crack for the first time, just to prove my dad wrong. Everything everyone believed was wrong. I was smarter than everyone.

When I was first introduced to “expressive art therapy,” my response was something along the lines of: “I’m a suicidal basketcase, I can’t keep a needle out of my arm, and you want me to color? Go fuck yourself.”

But treatment pushes the idea that you’re “powerless over your addiction.” That you can’t solve the problem on your own. Eventually (VERY SLOWLY) I became more receptive to taking advice even when I thought it was stupid and pointless.

Art, it turned out, could keep a needle out of my arm. It went from being a frustrating chore to all I wanted to do. It gave me an outlet to express myself, validation, and (something that at least resembles) self-esteem. And eventually it gave me a path. It gave me tasks and goals – a fucking to-do list to keep me busy and off drugs, while also supporting me financially. It gave me freedom from addiction, from poverty, and from the kinds of jobs I’ve never wanted and could never do.

That kid who thought everything would work out for him on the basis of his SPARKLING WIT and KEEN INSIGHT – he was a fucking idiot. Things have not all worked out for me. I spent years living in hell.

But I don’t anymore. Shit is working out. And as hard and as often as I work, it could be argued that I’m kinda skating through life on personality. Even the work I don’t enjoy, it’s all in service of something I love.

With all the money and praise regularly FED to me by strangers, all the people who look to me for advice or tell me how brilliant some painting, writing, or element of my business model is, it’s easy sometimes to feel like I just might be SO SMART I GOT LIFE LESSONS DRIPPING OUT MY BUTTHOLE.

That said, all of this is built around something I’d initially rejected with total contempt. So it’s maybe not the worst idea for me to remind myself of the remote possibility that – despite my REMARKABLE LIFE EXPERIENCE and the TREMENDOUS WISDOM I regularly bestow – I maybe don’t know everything about everything.

MAYBE.


Statement is done. Tap here to read the personal updates that will soon embarrass me.


So I Just Put This in My Head and the Blood Will Come Out?

“MFC 2.0″ 11/8/24. Pigment ink. 8×6”.

I have a lot of artwork from ten plus years ago (when I first started making art) that I still love conceptually but just looks terrible. I never liked the idea of recycling ideas but so much of that early stuff is still so exciting and meaningful to me and I hate the idea of just letting it disappear. At the same time, I certainly don’t wanna promote or advertise anything that looks bad or doesn’t represent me well. That line of thinking’s led me to reconsider my previous stance and become okay – even passionate – about the idea of taking some of my old concepts and making new artwork with them. One of those is already in the works as a major painting (and you can get a look at that process over on my TikTok) while others will be coming soon.

Speaking of TikTok, if you’re not already following me on there, I’ve been making four to seven videos for it every week – and have even started livestreaming on occasion. I know a lot of people have issues with TikTok (I certainly did/do) but if you wanna keep up with my process, I think it’s worth checking out.

Anyway, the drawing in today’s blog isn’t really a recycled idea because it’s more of an exact duplicate. There’s nothing wrong with the original “My Favorite Cartoon” but I want to make prints of it and don’t have a good photo or scan of the original from which to make them. All I’ve got is badly filtered, altered versions from Photoshop. Since I don’t wanna make prints from those, I simply redrew it.

For a more meaningful story, you can read the story behind the original drawing in my blog entry from August 22nd, 2013.

And if you want one of these prints, they’re now up for sale in my webstore. Or you can buy this “original” MFC 2.0 drawing by contacting me. (It’s since been sold).

Thanks as always for your time and attention. Your support means everything to me.


There Might Be Something Wrong With My Penis

"There Might Be Something Wrong With My Penis." 7/26/14. Acrylic paint. 8x10".
“There Might Be Something Wrong With My Penis.” 7/26/14. Acrylic paint. 8×10″.

I went to the VD clinic yesterday ‘cause I thought there was something wrong with me. I suspected that I might have been a bit hypochondriacal but – sure enough – there was something wrong. To quote the doctor’s precise and horrifying diagnosis, I was suffering from “a minor skin irritation.”

So that’s good news but it doesn’t end there. While I was sitting in the waiting room, I got to watch an educational video in which a cartoon penis rolled a condom over his body and then proceeded to lube himself up. I swear to god, I’m not fucking with you. This exists. Giant cartoon condom – rolls a condom over his body – and then covers himself with lube.

And I say to myself… what a wonderful world.”

I made this painting over a year ago, in a state of sheer terror, while waiting for test results. Being back at a clinic yesterday, I remembered that I had never put it online.

Early in 2014, I sold some art to a girl named Rachel Rabinowitz in Delray Beach, FL. She emailed me later and told me that she was an artist too and that I should hit her up if I was ever in Asheville. Later that year, while in Asheville, Chris Spillane and I  met her for coffee. She asked if I’d be interested in collaborating and I told her that she could paint something and then I could paint something over it. (That’s the only way I know how to collaborate; I had done it twice before with my buddy, William Somma, on “Limp” and “Yo – I Painted a Fuckin’ Unicorn“). Here’s what the canvas looked like when she gave it to me:

This part of the painting was done by Rachel Rabinowitz.
The pre-Sammy version of “There Might Be Something Wrong With My Penis.” Painted in June 2014 by Rachel Rabinowitz, who probably didn’t realize I’d later use the canvas to work through STD test anxiety (but was a very good sport about it).


I’m Sorry

"I'm Sorry." 12/26/13. Pen and markers. 6½x9½".
“I’m Sorry.” 12/26/13. Pen and markers. 6½x9½”.

This is the other new piece from Thursday night – the one that’s mean and shitty and makes me not like myself.

I’ve been arguing with myself for longer than I want to admit – whether or not I should break up with my girlfriend. This drawing is something I scribbled out in between some petty bickering and a more serious conversation about the future of our relationship. That conversation yielded its own piece (“Going to Charlotte”) which I started while we were still talking. It’s not all that different but it doesn’t make me feel like as much of an asshole as this one does. The text here (ordered as written) reads:

I feel small and trapped and I don’t really care about the saga of the customer with the unreasonable return and what happened with the credit card company and the store credit and the employee and fifteen dollars. That shit is boring and I don’t know – maybe my shit is boring to you (I DON’T KNOW) but this sucks and I’m annoyed by you and am… Fuck…

I just realized something… Even when we’re getting along, I’m never excited for your days off work. I don’t look forward to your getting home each night. And the times I feel very in love with and happy to be around you are greatly outnumbered by the times I spend wishing you’d go to work or go to sleep so I can just be without you. But you’re so fucking sweet and I’m the one that wanted you. There’s nothing wrong with you. I feel awful. I’m lucky to have you but you don’t deserve me. You can do so much better. I’M SORRY.

“Diaper Baby” by Sass Dragons seems appropriate right now…

I don’t care. I want attention. It doesn’t matter just where it comes from.
I’m as needy as the day I was born. Like a crying baby.
SOMEBODY CHANGE ME. 

—–

28 [image]

Before I went to bed at 8 AM, I uploaded the new high-resolution photos of 28 and Eradicating the Threat of Happiness.

Both are available in my webstore, as are prints of these newer pieces.

Eradicating the Threat of Happiness [image]

The good people of the Wunderground collective have been sweet enough to include me in their quarterly event at 1904 Music Hall. If you’re in/near Jacksonville, come hang out with me on January 11th. Art, music, burlesque, spoken word, food… IT’LL BE AN EVENING.

wunderground-flier

Update (April 2025): This drawing just went up on display in THE RINGLING MUSEUM OF ART. ‘Cause – y’know – my work is so EDIFYING. I can’t wait ’til it’s being taught in schools.


Journal: September 25, 2013

I feel sick to my stomach but the problem is all in my head. Funny how that works, huh?

I remember when I used to directly address with total transparency whatever was crushing my fucking soul. These days, I don’t have the guts. I can’t handle the consequences.

This strikes me as the kind of shit someone writes or says when they’re relapsing. I’m not, but this is probably also the kind of shit someone writes *just before* they relapse.

Luckily, I know myself well enough to know two things. 1) If there were drugs right here, I’d be fucked; but immediate and effortless accessibility is a prerequisite for me to fuck up in that way. 2) I’m a fucking basketcase, overly invested in the present moment. So while I might feel like I’m in crisis right now – realistically – I’ll paint a fucking picture, go to bed, and tomorrow I’ll be manically happy about some stupid pop punk song and be okay until the next time something brings my regularly simmering gloom, shit, and misery to its boiling point.

I’m gonna go play with some fucking watercolors.

I don’t like this version of me. I don’t like that I allow things to affect me in this way. There have been moments when I’ve shown more strength than I am right now. I hate that I’m talking like this again. And so shortly after acknowledging and writing about the last time I found myself here.

Countdown to the feelings of shame, embarrassment, and regret consequent to writing this entry… 5, 4…

I have friends that call me when they’re in a rough spot. I have a lot of friends that turn to me when they’re struggling. But I don’t turn to anyone. I turn to the fucking internet. I don’t have the courage they have. Why am I better at being a comfort to others than I am to myself?

This song just came up on shuffle.

An F.Y.P cover by Off With Their Heads.


Weird Kids With Bad Teeth

"Weird Kids With Bad Teeth." 2/27/13. Acrylic paint, pen, duct tape. 4x4".
“Weird Kids With Bad Teeth.” 2/27/13. Acrylic paint, pen, duct tape. 4×4″.

I alluded to this piece in “Titrating,” when I described myself as feeling scared, stuck, and trapped, but smiling. (See the red text in the background).

Like the pieces in “The Weak End” series of paintings, this (along with several others) started out as one large painting that I eventually cut up into a lot of smaller ones. Unlike that series though, all of the paintings in this series (“Your Higher Power is Literally Garbage”) were painted and repainted so much that they don’t really share much in common.

In the center of this piece is a strip of pink duct tape that I drew on, while riding in the car, because I had no paper. Yet another weird/poor drawing of a kid with fucked up teeth. It’s pretty representative of my belief that I’ve got a lot more willingness than I do talent (or even creativity).

As often as I feel “inspired,” I’ve got nothing. But that doesn’t mean that I don’t still have the need to create something. So I do. Because it’s good for me. It helps me, emotionally.

And if you read my last post, you know that right now is one of those occasions where I desperately need to create something. And I knew that I’d come to that conclusion if I wrote up the entry for this piece, which is why I chose to write an entry around “Pulp” first. I wasn’t ready to do what I needed to do to get better. But I am now.

UPDATE (9/23/13): Now listed for sale.
UPDATE (12/1/13): SOLD! Now listed for sale as a 4×4″ print.