D.L.A.T.Y.Y.C.K.Y.Y.T.C.

June 4, 2026

D.L.A.T.Y.Y.C.K.Y.Y.T.C. | 5-24-2026 | acrylics and pigment ink on canvas | 24 x 30 in

I thought I’d be living at Tranquil Shores for at least another two months but when I went into the clinical office that morning, I found out I only had ten days before my discharge.

I felt shattered. Caught completely off-guard. I walked back to the residential property alone and remembered a conversation I’d had with my sister 18 months earlier.

I’d just been released from the hospital, following an attempted overdose. “You can’t kill yourself, Sam. That’s so selfish,” she told me.

Fuck you, I thought. “You know what’s really selfish, Racey? Expecting me to endure this kind of pain every day – to keep on with this shitty, empty life – devoid of any happiness whatsoever – so that you can call me on the phone two or three times a year.”

You wouldn’t be reading this right now if my life hadn’t EVENTUALLY IMPROVED, but – back then – my life hurt. Every day was painful. I felt isolated, hopelessly addicted to heroin, and lost. I could see no way out. It didn’t have to be that way, but I didn’t yet have the emotional tools I needed to do anything about it. 

While I managed to turn my life around, some people suffer for decades on end. And as bitter and angry as I was when Racey said that to me, I’m still not sure we owe it to anyone else to stay stuck in a life like that.

That said – unless you’re in chronic pain or suffering from debilitating, UNABATING mental illness, you probably shouldn’t kill yourself. Not unless you’ve exhausted ALL other options. Because – as dark and miserable as life can be (and BELIEVE ME, I KNOW), it can also be pretty great.

If you’re truly ready to die, truly ready to give up on everything, then you’ve got nothing left to lose. So – before you kill yourself – lose it. Blow up your life before ending it. Choose uncertainty over unhappiness. Suicide is usually the consequence of feeling trapped. But you’re not trapped.

End the relationship. Quit your job. Break the lease. Disconnect your phone. Move across the country. Do whatever it takes to get out of your rut.

In my admittedly limited experience, when I make choices that demonstrate love (for myself and for others), things have a way of working out.

If all of this sounds impossible, I assure you: it’s easier than you think. If it sounds terrifying, do it anyway.

Worst case scenario: you were right, nothing gets better, and suicide is still an option.

DON’T LET ANYONE TELL YOU OTHERWISE.

But it’s not a very good option.

Don’t let anyone tell you otherwise.

This painting is what I call an UPCYCLE. I took the concept from one of my very early paintings and used it for this new one. The one I’m working on now is gonna be another one.

ON A RELATED NOTE, I’ve got three fairly recent paintings that I decided weren’t quite good enough. They were CLOSE but not quite. In the past, I believed in leaving each painting as a snapshot of where I was at right when I made it. Fuck that. I don’t wanna hang or sell something I’m not 100% proud of and happy with. So I went back to work on those three paintings and now I’m even more excited about them than I was when they were brand new.

DLATYYCKYYTC is so titled as a nod to IYDKMRNIGE. I can rattle off either acronym LIKE IT’S NOTHIN’. (Yes, I’ve practiced).

Why Do Bad Things Happen to Bad People?

May 19, 2026

Bad People | 5/14/26 | acrylic paint, staples, and safety pins on the charred remains of a painting destroyed by fire | 24 x 30 in

My RV, filled with art, burnt down in February. A friend joked: “HOW MUCH PERSONAL LORE CAN ONE PERSON DEVELOP?”

The fire was devastating but bad stuff happens to me a lot, so I’m WELL-TRAINED for this sorta thing. I’ve got TRAUMA EXPERIENCE. 

Bad People is painted over the charred remains of Whole Wide World.

I haven’t always come out on top and sometimes it’s taken me years to recover, but the fire didn’t beat me. I was back on the road doing art shows that week.

In March, I was invited to some art fairs that were still 7 months away and given the option to pay the full registration cost or just a deposit. I’d have preferred to just pay in full and be done with it but I was scared.

WHO KNOWS IF I’LL EVEN MAKE IT THAT FAR? Maybe I won’t be making art by then. Maybe I’ll have lost everything. Maybe my life will be some kind of fucked up I can’t even predict. 

I don’t really think that – I’m doing well lately and I feel SOLID AS FUCK. But it also feels a little myopic(?) to ignore my history. To not acknowledge it makes me feel self-conscious – like I’m failing to recognize what EVERYONE ELSE IS PROBABLY THINKING: “This won’t last. Sam can’t keep it together.”

Growing up, I never made it more than three years at one school. Same (to this day) with homes. And I’ve never held a job for even three months. (NOT THAT I WANT ONE).

I don’t even like to mention it anymore because I’m tired of it being such a big part of my identity but – until now – I’d never even made it two years off heroin (or fentanyl).

I’m extremely bright, extremely competent, and extremely UNSTABLE. 

I could do ANYTHING – except for that instability. It’s made me kind of a fucking loser. At least at times. My life’s a lot of very impressive accomplishments and a lot of really pathetic, wasted years.

I’m self-absorbed. I think I’m sorta naturally inconsiderate. I’m prone to arrogance and kinda entitled. But I’m also sensitive, empathetic. I think I usually do the right thing, even if it’s not always my first instinct. 

I don’t think I’m a bad person but does anyone really? I do think I’m sometimes bad at being a person. But I’m getting better. I’m trying anyway.

Related work:

Before the fire, this painting was The Whole Wide World Can Suck My Dick (but, like, in a Fun Way).

Before I transformed Wide World into Bad People, I made an entirely new painting (Fruit of the Poisonous Me) all about my experience of the fire.

I’d initially planned to do an entire series of new work on the charred remains of the paintings I lost in the fire. After processing everything through Fruit though – and now having done Bad People – I’m feeling like I’m sort of “over the fire” and ready to just move on. I still have those damaged paintings in storage though; maybe I’ll like the idea again by the time I get back to Florida. TIME WILL TELL.

Bad People sold on May 17, 2026. I’ve made prints but likely won’t add them to the webstore because I’m not sure I want the webstore to exist anymore. If you’d like one, your best bet is to COME FIND ME.

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Fruit of the Poisonous Me

April 16, 2026

Fruit of the Poisonous Me | 13 April 2026 | acrylics and pigment ink on canvas | 40 x 60 in

January started well enough and then the ice storm canceled three events I’d booked in North Carolina. My next show was back in Florida. “Why’d I even leave?”

I decided to visit my brother in Durham.

February 1st – the night it happened, I was downstairs, gathering my things to go up to the guest room for the night. I heard an engine turning over.

“That sounds too close to the house to be a neighbor… Is someone trying to hotwire my bus?,” I thought.

I went to the window and saw the flames. I ran into the snow barefoot only to find the doors of the bus locked. I ran back in to grab my keys and shout to my sleeping brother, “MAX! I need the fire extinguisher now!”

One of my first thoughts was that Max and his wife were gonna be upset with me for this. I considered not even waking Max or asking for the fire extinguisher. But I was also hopeful that the fire could be contained and this might not wreck my entire life. Maybe I could even put it out in time to play it off like no big deal and that I was only asking for the extinguisher out of an abundance of caution.

That was not the case.

journal: Tuesday, February 3

The loss of my bus (my home) and my art are so devastating that it’s been way too easy for me to lose sight of…

HOW DEVASTATING THE LOSS OF EVERYTHING ELSE IS TOO.

Picking through the charred remains for anything that can be salvaged… – forget about the cost of replacing the bus or the fact that the art can’t be replaced. Virtually everything else I own… – it’s just death by a thousand cuts. I’m gonna be POOR FOREVER.

The fire may not have been my fault, but it’s all FRUIT OF THE POISONOUS TREE (me).

Well there’s the title and concept for a painting if ever there was one.

I’m gonna be fucking fine (or as “fine” as I’ve ever been). I get that. Even as I’m writing this all out. It’s just a low moment. But – fuck – this is all so much and it’s all so hard. 

I had a thought that amused me. I played with the idea of adding it to the incinerated fragments of (what had once been) one of my paintings.

Have you ever fantasized about your home burning down, just to get a totally fresh start?

I USED TO.

Moments of bitter levity aside, I was overwhelmed. Everyone told me to take a minute. Collect myself. Not stress about pulling everything together in time to make it to the next show. I could miss one weekend they told me.

Nope.

I left my ashpile of a bus in NC and rented a van to get to Florida in time for the Downtown Sarasota Festival of the Arts. Late that night, a message popped up on the dash.

DRIVER ALERT
WARNING
REST SUGGESTED

I laughed to myself. “If I won’t take this advice from my loved ones, I’m certainly not taking it FROM A RENTED CARGO VAN.” 

The concept of “pride”… I’m not a fan. There’s not much I’m proud of. But looking across my booth that weekend, I was kind of amazed. Yeah, my ProPanels smelled like burnt trash and Motivation and Luckiest Little Shit were smoke-damaged but fuck me if this set-up didn’t still look impressive. I snapped a photo to share online and captioned it:

If anyone was wondering WHETHER THAT FIRE COULD EAT MY DICK OR NOT – 4 days later, I’m 4 states away, doing the art festival I had booked AS PLANNED

I’m not proud of my clean time. I’m fucking forty. It’s embarrassing that I wasted so many years. I’m only sort of proud of my achievements within the scope of my art career. If I’d not been on drugs forever, I’d have done these things so much sooner. I’d be so much further by now.

But I was proud of this. To experience such loss and not let it slow me at all – it made me feel pretty resilient.

That said, I wondered how people online would respond to the news of the fire. How they’d react to what I was writing and saying about it on social media.

“Probably they’ll just think I’m an idiot, a loser, and that this is more of the same for me.”

“And they’ll probably think this is going to push me to start shooting up again.”

Oh… shit… “This is the first time since the fire that the concept of drugs has even crawled across my brain.”

That wouldn’t have been the case at any other point. Historically, the pattern’s been: (1) bad thing happens, (2) “I need to shoot up right now.”

I wouldn’t say I’m proud that I didn’t immediately fall apart and want to use, but I am pleased by it. That it was never even under consideration is strong evidence of my progress. 

A few weeks later, I was driving, listening to the miserable, self-loathing songs that light up my little punk rock heart and a thought occurred to me: “I love this as much as I ever have, but do I still relate to it? Do these lyrics still describe how I feel?”

It was a major revelation. “Holy shit. For the first time in my life – I don’t think I hate myself anymore.” 

“I think I actually even like myself. I like what I do. I like how I behave. And I really like what I make.” (Actually, I love what I make).

But FIRE ASIDE, things were going well. “Do I just feel good right now? Maybe my response to the fire was a fluke. If something else goes wrong, I might very quickly remember all the excellent and valid reasons  to hate myself.”

I got an answer within minutes. Another driver flagged me down. Said the back corner of my new RV scuffed their car.

My license had just been canceled over some stupid paperwork shit from ten years ago. I’d already enlisted a lawyer to help sort it out but – on that day – I could not have cops show up. I could not have this going through my insurance. I was gonna have to pay these people.

I got the number a week or so later. They wanted $4,600.

I didn’t even know if I’d actually caused any damage, but I couldn’t take any chances. I paid the $4,600. It fucking STUNG. 

But it didn’t make me hate myself. Almost the opposite? Even following THE TREMENDOUS HIT of the fire, I could afford this one too. That meant something.

I didn’t tell too many people about the settlement I’d paid. I was embarrassed even though I felt like the situation wasn’t my fault. Because it wasn’t random chance. A seed had been planted ten years ago when – detoxing from heroin – I’d taken too much Xanax, blacked out, and gotten charged with THREE SIMULTANEOUS DUIs. Now, that seed had BLOSSOMED into more poisonous fruit. 

Journaling, I realized: I’ve always been very good at blaming myself (in a very childish, mostly meaningless sorta way) for anything bad that happened, but I don’t know that I was ever really able to accept responsibility. A lot of the most destructive “fires” in my life were more genuinely my fault than I’ve previously understood. And they shared a common spark – a subconscious core belief that the rules don’t apply to me, so I should be exempt from consequences.

I’ve had an Adderall prescription since I was a kid, but I was all over the country in 2014 and unable to refill it for a few months. When I dropped Abby off at rehab and she offered me her bottle of Adderall, it felt serendipitous. 

Until they charged me with a felony for it.

A more reasonable person might have thought “it’s illegal for me to accept this.” I thought, “this is reasonable, I don’t care that it’s technically illegal.”

Sort of like how I continued to drive when my license was cancelled. 

It shouldn’t have been canceled, so I shouldn’t have to stop driving – right? 

I still don’t “respect” the law but I’m too old to think I can continue to break it and never suffer the consequences. Shit doesn’t work that way.

Maybe I’m not inherently (and irrevocably) poisonous. Maybe I just need to accept that I can’t always get special treatment. And maybe if I learn to accept responsibility when I break a rule, I’ll stop feeling like I’m to blame for the fires that weren’t my fault.

Or maybe not. I DON’T KNOW. This shit just happened. These thoughts are all FRESH FRUIT.

LET’S SEE HOW THEY DO AT MARKET.

12×16-inch prints of “Fruit” are now available in the webstore.

I’ve got upcoming shows in Myrtle Beach, Waynesville (NC), Atlanta, Raleigh, Roanoke, Crestwood (KY), Michigan (West Bloomfield, Cheboygan, and Ludington), St Louis, Chicago, Pittsburgh, and The Hamptons. At least one new show is usually added to the calendar each week, which you can check for more details.

I don’t think I’m going to use this site as a blog anymore. For more regular updates, follow me on Instagram or TikTok.

Just Like You Wanted

January 31, 2026

As I continue to be TRAPPED BY WINTER, here’s another older piece for the historical archives that never made it online…

“Just Like You Wanted” | 8/11/14 | alcohol and pigment inks on watercolor paper | 7×5″

This drawing is part of a series that also includes “Bad Things Happen (to Kids That Fuck),” “I Finally Understand All Those Straight Edge Songs on the Radio!,” and “I Work Hard for the Money.”

Originally, they were all one large drawing, but I liked them better in smaller pieces so I cut the page up into four differently-sized segments.

Visually, they don’t look quite like anything else I’ve ever made. Part of that is because they’re ink, not paint, but there’s a reason they don’t even look like my other ink drawings. When I picked the drawing up and looked at the back of the paper, there was a ton of bleed-through – and it looked really cool. I liked the back of the paper better than the side I’d colored. So I flipped the paper over and redid all of the black outlines on that side. And then I wrote out all of my text. Which, in this one, says…

“You made it into my art. I guess you affected me. Just like you wanted.”

It’s about a girl I was dating pretty casually but who was really into the idea of getting me very emotionally invested in her – even though she wasn’t particularly invested in me. I imagine that had something to do with her bipolar disorder. In any case, as the drawing indicates, she did ultimately succeed in fucking with my emotional well-being.

BULLY FOR HER.

7×5-inch prints of “Just Like You Wanted” and the other drawings in this series are available in the webstore. Send a message for current availability of original drawings.

Uncertainty over Unhappiness

January 30, 2026

“Uncertainty over Unhappiness.” 5/5/25. Ink on bristol. 10×10″.

This drawing started with a request: “Will you make a painting of my house?” 

Yeah, um, absolutely not. 

But I told the guy I could do my usual nonsense but work his house somewhere in there.

He was cool with that but told me he didn’t want any BAD WORDS or NEGATIVE MESSAGES. As if I couldn’t have deduced that on my own. I don’t take instructions but I’m not gonna deliver something I know the buyer won’t like. And someone who starts off with a request like his – he wants something SAFE. Safe = uplifting, positive. Hope, not despair. And NOTHING TOO FUNNY OR CYNICAL.

Listening to a podcast, I heard something that I’d written about many times before: “People will choose unhappiness over uncertainty.” Hearing it articulated by someone else made it feel especially profound – particularly in relation to someone who’d been blowing up my phone all day. I knew UNCERTAINTY VS UNHAPPINESS had to be the theme here; I just needed a positive angle on it.

I wrote a journal into the drawing:

It’s frustrating when someone you love chooses to rot in misery. What’s she so afraid of? Why can’t she break away?

BUT I DID THE SAME THING. I surrendered to an empty life because my familiar rut was comfortable compared to other hells I’d called home (or the hell in my imagination). 

SOMETIMES A SAFETY NET IS MORE NET THAN SAFETY. I had to lose mine to break free.

But uncertainty is better than unhappiness. “Someday this will all be over” and the regrets I’ve got are enough. Despair’s not worth much; might as well trade it for uncertainty. It’s worth the risk.

I was trying to articulate the sense of danger that breaking out of a rut often requires. You don’t like what your life’s become but you’re afraid to change anything. I did this for YEARS, so I get it. I told myself, “It could be SO MUCH WORSE. Surely, this degree of unhappiness is manageable.”

But that’s not living- it’s surviving. And our time is limited. We need to be bold. We need to chase dreams. And so long as we’re making a genuine effort – following our hearts instead of giving in to fear – I think it’s rare for things to go too wrong.

It’s only in resignation that we sink into really deep, lasting depressions. Nobody making a real effort is sad all the time because making an effort is ENERGIZING. The pursuit itself makes us feel good. Even when I’ve fallen short or things didn’t work out exactly as I’d like, I’ve yet to regret any steps I’ve taken to improve my life.

On the other hand, when I’ve resisted change – just to hold onto the pathetic little comforts I thought made my life bearable: I’d give just about anything to go back and let my shit fall apart sooner – so that I could get better sooner.

If you’ve gotta convince yourself that you’re happy, you’re not. And you won’t be until you make serious changes. And you probably already know what those changes are. If you’re afraid, don’t be. In considering bold, positive steps, the things we’re afraid to lose are likely keeping us sick. And the thing we’re actually most likely to lose is our misery.

A note about this drawing’s origins…

Toward the end of my eight-and-a-half year relapse, I’d become so resigned to addiction for the rest of my life, that I decided to try to start making art again. Until that point, it’d always been my policy that art and drugs would never coexist in my life. I started one painting and one drawing but didn’t get very far. This was the drawing. It sat unfinished for months while I was still using.

The guy who originally wanted to commission a painting of his house wasn’t paying enough for any painting (even if, as agreed, I’d make whatever I wanted and just include his house somewhere in it). So I offered him a 10×10-inch drawing instead, with the plan that I’d finally finish this one, which had been sitting untouched for a year even after I got clean. He agreed, so that’s what I did.

It’s been a little bit of a rough month. Four of my last five dates got canceled for weather. Wind in Venice, an ice storm in Columbia, and now snow in Greensboro and Charlotte. It’s a pretty major financial hit, so I have to remind myself that I’m still doing VERY WELL.

I’ll be back in Florida next week for the Downtown Sarasota Festival of the Arts. Judging just by the exhibitor standards and the cost to participate, it seems like a more exclusive step-up from the other events I’ve done in the past. I’m excited to see if it draws a wealthier crowd – the kind of people who’ll drop four-figures, right then and there, for a painting they like. Up to this point, I haven’t sold any of my more expensive paintings at an event like this. I’ve sold smaller ones for a few hundred and I’ve met people who followed-up and later bought a more expensive painting but never on the spot.

I still want to get into more galleries (which is where I’ve historically sold my bigger, more expensive paintings) but if it turns out that I can find the right buyers at art festivals – THAT’S COOL TOO. I’ve currently got a bunch of applications in for similar events scattered across the southeast and midwest. Decisions on those applications start coming in next month.

I’m a little nervous that my work, at first glance, might turn off some jurors at “higher tier” festivals, but I have no doubts about the strength of my work. I’m optimistic that some jurors will recognize its value, even quickly flipping through applications on a screen and missing smaller details, like the more meaningful passages of text. Though I also know some will scoff at what they perceive as crude titles (without looking any deeper) or that some purists might say things like, “This guy is a writer masquerading as a painter. Real artists don’t need words to be evocative.”

They’re wrong, of course. People want to connect on a deeper level and language makes that possible. My text enhances my paintings in the same way lyrics enhance a song.

Does it sound like I’m GETTING DEFENSIVE? Defensive against a critic who (thus far) only exists in my head?

I mean, that’s pretty on brand for me, wouldn’t you say?

Arguing with ghosts is fun. I ALWAYS WIN.

Check the Events page for more info on everything I’ve got coming up. Prints of “Uncertainty over Unhappiness” are now available in the webstore.

The Luckiest Little Shit (in the World)

January 15, 2026

“The Luckiest Little Shit (in the World)” | 1/4/2026 | acrylics and pigment ink on canvas | 40 x 30 in

If there’s a central THESIS to my body of work, it’s that life can be a FUCKING DRAG but we’ve gotta try our best all the same.1 

It’s probably a consequence of the specific “world” I grew up in but I don’t really know too many people who are succeeding. A lot of my friends struggle. Some aren’t especially happy. 

I don’t envy my friends that put in 40 hours on shit they don’t particularly like, to make some dipshit (that’s dumber than they are) richer than they are. 

And then they pay rent. To a LANDLORD. Because he owns the properties. Inherited, or bought with money most of us will never have. 

The system is fucked. AND WE’RE (mostly) WHITE KIDS. (Or more recently/accurately, white “adults”). We’ve got SOME DEGREE OF PRIVILEGE.

Then again, like attracts like; my friends are like me. And being a working-class, too-smart-for-your-own-good basketcase isn’t exactly a recipe for UPWARD CLASS MOBILITY.

There’s this lyric: “the decks are stacked and the house always wins when the dealer’s crooked … but we’ve been counting cards. We’re fucking fed up; shit’s gone too far.”2

I love that line. The world’s gonna cheat us and we’ve still gotta play the hand we’re dealt, so fuck THEIR rules. We’ll play it our way, with every trick we’ve got.

I often describe my art career as “A PRETTY GOOD SCAM.” That’s honestly what it feels like.

I wake up every day and do whatever the fuck I want. I write about myself and paint funny faces in ridiculous colors – and then I get paid for it. I’m not rich, but I’m not poor either. In the last year, I’ve loaned or given money to friends and family that have fucking jobs.

This is, of course, not solely a consequence of my own brilliance. I work seven days a week to ensure my future as the world’s MOST HIGHLY REGARDED ARTIST, but it’s not lost on me that what I do is not an option for everyone. It’s such a bizarre confluence of circumstances, attributes, inclinations, luck (good and bad) that make my life possible.

When I started down this path, I had zero technical ability as an artist (AND I’VE NOT GAINED MUCH SINCE THEN). I’ve refined my eye for color and composition, but what I have most of all is a personality, a worldview, and the ability and willingness to articulate it (in a way that other people find funny, insightful, and resonant). That’s been the key ingredient in my success. I’m the only person in the world who can do exactly what I do.

But my broken brain, personality, worldview, and INABILITY TO EVER SHUT THE FUCK UP also led me to heroin. And heroin has eaten years of my life and taken me to horribly traumatic places that I’d tell you about IF I WANTED TO START CRYING RIGHT NOW.

Ultimately, heroin led me to expressive art therapy. Which I hated because I was bad at it. But I really liked the way the other mental cases responded when it’d be my turn in group to talk about what I’d made. They laughed when I wanted. They were affected when I wanted. And they fed me praise.

Returning to the world, I needed an income, but I’d never successfully held a job. I’m INSUBORDINATE.

Though I didn’t have the first clue if it was even possible, or how to go about it, I decided to see if anyone would buy my art. Turns out it was possible right outta the gate.

Three years later, I experienced the worst trauma of my life, fell the fuck apart, relapsed for 8 years, and resigned myself to failure and addiction forever. Until my girlfriend decided the future might look better with someone else. So I got clean (TO SHOW HER) and started painting again. I anxiously anticipated it blowing up in my face, but didn’t know what else to do. 

Wanna know the really fucked up part? A year and change later, I’m happier than I’ve ever been. I wake up excited each day. I’m excited for the future.

Monday through Thursday is a lot of writing, inventory, accounting, logistics, booking, website and bus maintenance.

Friday through Sunday, I set-up a killer display of THE BEST FUCKING ART EVER MADE and I work on my latest painting while singing along to all my favorite punk rock, as strangers give me their money in exchange for the products of my mental illness, my personality, my traumas, and my victories. 

A lot of my life’s been pretty miserable. I’ve got some dark stories. I’ve lived through dark YEARS.

But “The Luckiest Little Shit in the World” is a victory product. It’s a victory lap on 2025, when I relaunched my art career, killed it, and had a fucking blast. It’s really not even fair how much fun I’m having and how much the world rewards me for it. I really do feel like the luckiest little shit in the world.

FOR NOW. Fear and anxiety are never far from my mind. These good feelings are fairly new and I’m still sorta broken – I’m still me – and thank fucking god for that.

It’s the key ingredient.

Statement is done. Tap here to read the personal updates that will soon embarrass me.

  1. There’s a lot here that calls to mind earlier work. The other paintings featured in this blog entry are the ones with statements I’ve hyperlinked in the body of the text. ↩︎
  2. The song I’m referencing is “Countin’ Cards” by Escape from the Zoo: ↩︎
  3. Nope – it’s in the statement for “All the Time Lost,” which I’ve not yet published online. ↩︎

Poetry by (2,025) Girls I’ve Brutally Fucked

January 13, 2026

“Poetry by (2,025) Girls I’ve Brutally Fucked” | 5/10/25* | acrylics on canvas | 12 x 24 in

I painted this as the front and back covers for a split 7-inch by Apocalypse Meow and Todd Congelliere. It was the first time I’d done a commissioned piece in my usual/expressive style instead of taking the more labored cartoon/illustration approach.

The caption (“I was talking to this girl I REALLY GAVE IT TO. She said she wrote a poem about it. A poem about my fucking. That made me smile.”) seemed a little much for a pop punk record so I replaced it with the band names on the actual record layout.

I hadn’t actually seen the poem yet when I made this, but I read it soon after.  Turns out it was only partially about “my fucking” and way more beautiful, affectionate, and insightful than I feel like I deserve. It’s really great and – in that way – makes me feel kind of shitty, even though I didn’t do anything wrong. We had sex, it was fun; we hung out, it was fun; and then we repeated that cycle a few times. I guess friendship and fucking don’t really go together without feelings developing.

I’ve been sleeping around lately, getting involved with different girls to different degrees; I’m probably asking for trouble. I’m probably about to fuck myself – one way or another. There’s a lot more I could write about all that but I don’t wanna push myself to be too honest / transparent right now. That feels okay.

There’s this other girl… I wrote (what I guess I’d call) a long prose poem about her and about my experience with her in the week after we met. I’d developed feelings of my own for her [how novel!] But I was conscious of the fact that – this sort of thing – it does happen fairly often with me. I wrote a little bit about that too:

I’ve got these fucking warm, fuzzy feelings for a lot of people. A lot of my friends – I love them, I hug them, all that. But when I have these feelings for girls [I’m attracted to] (it doesn’t matter how many) I love them and I also want to kiss them, sleep with them [etc.] I don’t think that’s wrong or weird but you’re not supposed to do that. You’re supposed to have feelings for one person that are strong enough that you don’t even want to connect with another person in that way. That seems like bullshit.

I don’t know… maybe I’m just selfish. Love and sex are all twisted up and make for difficultly-navigable terrain. I just wanna love and fuck without being confused.

Everything from here forward was written in May 2025. Everything written above this is from 12 years ago, in the period when I was the most girl-crazy and the most promiscuous. I was meeting lots of girls that wanted to sleep with me and I think I was just really excited about that because that, in itself, was sorta new. It was the first time (since I’d been a teenager) that I wasn’t in a committed, monogamous relationship, and it was the first time ever that I’d had confidence that I wasn’t entirely faking.

A year or so after all that though, I relapsed and then (another year or so later) I tried to kill myself. Right before the attempt, I lit my biggest painting on fire and then slashed and smashed the others. There were seven in all and – when I was FEELING BETTER – I started the process of stitching them all up with dental floss. This one wasn’t super torn up but it was so badly smashed that it needed to be stretched across new bars. For that reason, it was the last one I got around to restoring. I just did it recently but also decided that the painting itself needed some work. Like the actual art wasn’t up to my standards anymore. Which makes sense because I made it more than a decade ago. So that’s what I did. You can see the original “finished” version of the painting here.

This painting is not the kinda thing I’d make today. That thought in the fourth paragraph (about “asking for trouble”) is ESPECIALLY PRESCIENT. ‘Cause that’s exactly what happened – and to a more traumatizing degree than I could have ever imagined. But even though the sentiment of this painting is the kinda thing that could SEND THE WRONG MESSAGE in 2025, I don’t wanna change those elements of it. I like being honest. I like telling the full story. I’d just turned 28 and I’d spent most of the years prior in a single committed relationship. So now I was in a phase of experimentation. And I was pretty excited about it. And while I’m embarrassed by just about everything in this painting’s statement, I don’t really think I should be. I don’t think there’s anything wrong with rough sex or liking rough sex or even just figuring out what kinds of sex you like. So long as you’ve got a consenting, enthusiastic partner, be adventurous. Go for it. Do whatever. Life’s too short to not find happiness and fulfillment wherever you can.

This has no business being on the internet but I’m neurotic and can’t stand the idea of leaving something out of my “portfolio.” I’m very much taking advantage of the fact that my mailing list was lost in the domain transfer and very few people will be notified that this is now online.

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