Carbondale tonight!

Running late on our way to Carbondale. The show tonight is with Future Virgins, The Heat Tape, and Hate Waves. 9 pm at Ski Haus. I think.

Traded art with Evan Wolff last night. I’m afraid to hang his print in my living room ’cause more people will comment on how cool it is than any of my things that hang in there. I might have to put it in the bedroom. Then again, it could be good for me. I can always use a little more humility. I also started a trade with Brett Hunter. He took my “I Don’t Go Out Much” cartoon and is gonna bring me something in trade for it tonight, so i’m really excited for that now too. (Show+trade with Brett+pizza place Zack’s talking about=high hopes for Carbondale). Punk rock is still awesome.

The van is shaky and I’m unusually tired, but I have a new piece to share later. It’s been a strange morning. We almost had to sacrifice a body to the tour monsters and – since the band is kind of necessary to the whole playing shows thing – it would’ve been either Zack or I. We were both willing to do whatever, but things shook out in such a way that we’re both still here.

When I’m not driving, I tend to sit in back, but I’m riding shotgun right now with Chris driving. It’s not too hot out, we’re listening to Ramshackle Glory singing, “I always wanted to die young, now I feel younger every day,” and life is kinda nice.

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Whatevermind

Says: “I don’t accept what you consider fact, truth, or reality. But I do believe in freedom right now. And I’m gonna do my best to try to be happy. I’ll let you know how it works out.”

It was in response to being told that – what I’m doing / how I’m living – is okay for now but will have to end really soon. That I’ll need to get a real job or learn to draw boardwalk caricatures.

"Whatevermind." 5/12/13. Pen. 9x10¼".
“Whatevermind.” 5/12/13. Pen. 9×10¼”.

I drew this “for” the insert for (Rational Anthem’s) Whatevermind LP, but decided that it didn’t fit and – beyond that – almost seemed antithetical to it.

Actually, I just remembered: this didn’t start out as an expressive piece, I had something in mind, but I made a mistake (and since I was using ink, I couldn’t correct it) so I just worked around it and it turned into this.

We’re en route to Des Moines. Show tonight should be good. Rational, Copyrights, Tight Bros, and Lipstick Homicide. Kind of strange though: doors at 4, show at 5, and it’s 21+.

Found out The Heat Tape got added to the show tomorrow in Carbondale. Their album was my favorite thing on the planet that first week in Sarasota to make “No Real Than You Are.” It was actually when one of those songs came up in my headphones and I didn’t immediately feel great that I knew something was wrong. I wanted the feeling back – the one that I had gotten, riding around town listening to that album just a few days earlier. Raccoon Valley Recordings (and my response to it) were literally my mental health gauge.


I’m Building Up to Something

I once pitched “Another Successful Human Interaction” as a song title to Chris (for Rational Anthem). That’s the phrase that’s in my head again right now. I’m sure it’ll strike anyone that knows me as pretty absurd, but (as if I hadn’t covered this just earlier today) I get nervous in social situations sometimes. And when I have conversations that I can walk away from without feeling embarrassed, I feel proud of myself. Self-esteem requires a lot of maintenance, but (having a little bit these days) I can… it’s… I don’t know. I guess what I wanna say is that I’m able to use it to build up more. Just by having *some*, I’m able to develop more.

And it’s an easy slip, a fast fall, back to zero, but it’s not *really* zero anymore, even if it feels that way sometimes.

The Slow Death are playing soon and I’m excited to see them.

Just now – wanting to include a piece of art in this entry since I’m trying to get it all up on the site, piece by piece – I checked to see what I had photos of on my phone. This one seems appropriate.

"I'm Building Up To Something." 6/3/13. Crayon and digital. 8x10".
“I’m Building Up To Something.” 6/3/13. Crayon and digital. 8×10″.

I drew this with crayons in group back when I still lived at Tranquil Shores. Later, I played with it on the computer and turned it into something else. When I get home, I’ll add a photo of the original to this entry (if I have one, which I may not). In either case, I’ll upload a bigger picture of the “computerized” version. (That’s something I’ll have to do with everything I’m posting from the road). I can’t recall the specifics of why I was drawing in group on the day that I made this because I don’t know what day that was. Again, when I’m home, I’ll look into it. But I remember feeling a little inadequate, but – at the same time – a little hopeful. Like, “I may not be much now, but… you’ll see.” I guess I could call it a “letter to my detractors” of sorts. And – as noted – the original is entirely crayon – which I think is sort of perfect for this. I could call it “naive,” I could call it “immature,” but I’d rather call it innocent. I like that.


The Day I Sold Out For Nine Dollars

Everything went extremely well today, but I’m feeling a little uneasy at the moment. Luckily, I have some time right now and (later tonight) I’ll get to see three of my favorite bands. And I’ve got a lot of great friends. Speaking of which, two of them offered to pay me for a quick sketch today. Here’s my cartoon Megan and Servo.

"The Day I Sold Out For Nine Dollars." 8/17/13. Pen and (dry) watercolor pencil. 5x7".
“The Day I Sold Out For Nine Dollars.” 8/17/13. Pen and (dry) watercolor pencil. 5×7″.

I Don’t Do Well With Crowds | I Don’t Go Out Much

Chris is vomiting out the window on our way to Grumpy’s. We’re pulling over so Pete can drive. Today is going to be an excellent day. For so many reasons.

—–

This summer, I spent four weeks in Sarasota working on “No Real Than You Are,” a short film in which I had been cast. The last stuff filmed (on the last day of principal photography) were the exterior shots of a house party. My character had no dialogue but it was important for the audience to see that my character is there, at the party. So even though I had nothing to do, I had to be present so the camera could pick up on me at some point, if only for a second.

I had the lead male role in the movie. Throughout filming, everyone on the production team treated me like I was the coolest motherfucker on the planet. It was easy to feel important. (I wasn’t/I’m not, but in the context of this film: sure). Since this was a party scene though – and since I had no important part in it – there were a ton of random people on set and, so far as they all knew, I was just another extra.

For most people, I have a feeling that none of this would be an issue. But – for me – it kind of was. It’s embarrassing, but I’m not good in situations where I’m just an anonymous part of the crowd. I need to have something to do, to somehow stand apart. At shows, since I don’t play them myself these last few years, I need to be selling records or working the door, or – at least – have someone to hang with (with whom I’m thoroughly comfortable and at ease). Otherwise, I have to go hide out somewhere every so often, if only for a little bit.

But I couldn’t do any of those things here. There was no performance required of me. There were no records to sell. The people I knew (the production team) were busy with the scene. And the people I didn’t know… I don’t want to be judgmental and I’m sure anything I was picking up on was more about my own state of mind then anything they were doing…. But it might be possible that there was something to it. After all, it’s a little strange that – in the city in which I grew up – of the people that came to this party (even if it was a *fake* party) I didn’t know a single person. These were the people that came out to a fake party on a Thursday night so that they could be be seen in frame in this movie. And that strikes me as a really shitty thing to say and I know I should be grateful that they came because the movie needed them. You can’t film a party without people. And shit – I’m sure a lot of them came out just for that reason; some of them were probably there just to support the film.

Really I’m just trying to explain (or justify) why I didn’t make new friends by talking to some of the people around me. It’s my own failing.

Instead, I sat there with a pen and paper, isolating myself as a hundred people excitedly milled around me, until I felt like it was reasonable to ask the unit production manager to prod the director and cinematographer in my direction, so they could get whatever the shots they needed. And I asked her to “find me a friend” – someone for my character to talk to, so that he wouldn’t appear to be as much of a mentally disturbed, self-absorbed twerp as the actor playing him. (For that “role,” we recruited the producer. It was good; he got a cameo and I didn’t have to talk to anyone I didn’t already know).

It’s not that I think I’m “better” than other people, it’s just that I’m (sometimes) terrified of them.

Here’s what I drew as I sat alone at the party.

"I Don't Do Well With Crowds." 7/16/13. Pen. 8x11½”.
“I Don’t Do Well With Crowds.” 7/16/13. Pen. 8×11½”.

—–

And here’s another similar drawing from another similar night.

"I Don't Go Out Much." 5/18/13. Pen on scrap. 3x4¼”.
“I Don’t Go Out Much.” 5/18/13. Pen on scrap. 3×4¼”.

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  • Both cartoons are available as 5×7″ prints.

(Satanic Torture) For Andy

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“(Satanic Torture) For Andy.” 12/18/12. Pen on scrap. 3×4.5″.

Ritual satanic torture is the #1 cause of death among Americans aged 4 to 14.

After the Sandy Hook shooting, a friend of mine overheard someone say that “more kids are probably killed each year by ritual Satanists than by guns, but you never hear about that on the news.”

I thought it was funny so I drew this cartoon later that night (while sitting in a twelve-step meeting). I’m really good at recovery.

—–

Status update: Everything’s going really well so far at Dave Strait Fest. It’s been a good night. I just had to creep away for a minute (as I sometimes do) to “recalibrate” a little bit…. I’ve got plenty more to say, but I think I’m done being an awkward, antisocial weirdo (for the time being) so I’m gonna pop out of the shadows and get back to it.

Sealed prints are available in my webstore. "For Andy" print [image]


Spotlight on Mental Illness

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“Spotlight on Mental Illness b/w Drink Bleach + The Barney Generation.” 4/27/13. Acrylics and ink. 12×12″.

I made this piece on the least successful of my four art-fair-days back in St. Pete. The text on the left says, “Nobody likes me, everybody hates me, guess I’ll go drink bleach.” From the top, it’s a little more sincere.

Embarrassingly so, actually. It says, “I think I’m special and that my artwork is really different and really great. I think my story is really interesting. I don’t know how much of that is self-esteem, how much is pride, and how much can be chalked up to my being a member of the Barney generation. I get really impatient though. I suffer from the same sense of entitlement as the other brats my age.”

Went to the Hexagon last night for the first Dave Strait Fest show. It was cool and it was fun and it was really great getting to see a lot of the people I haven’t seen in the last two years. Everyone was really sweet and supportive and – though it shouldn’t have – it made me a little uncomfortable at times. Not because of anything that anyone said or did, but my own response to it. It’s still hard sometimes for me to receive that kind of support/encouragement/love. I wanna say “thank you” because that’s how I feel – I feel grateful. But at the same time, I still struggle with whether or not I really deserve that kind of love and support so I get kind of awkward and sometimes sort of dismiss it with a shrug and a little self-deprecation. I need to be more cognizant of my behavior in those situations and force myself to respond authentically and gratefully.
I saw Ryan, one of my best friends from when I was living in DC. He invited me to come hang out with him at Extreme Noise today, but we’re staying on the outskirts of the city so I’m not able to get over that way until we all head out for the show tonight. We talked a good deal last night though and, at some point, he mentioned the “Diazepam” painting/blog entry. No one said anything when that went online, but it made me realize that more people probably saw it and were affected by it then I thought. I think I might have alienated some people with that. I think people were/are disappointed in me for that slip. But it happened and I’m glad that I was able to be honest about it, even if it is damaging to people’s impressions of me. I’m not proud of my behavior that day but I’m not upset that it happened either. It is. It’s real. I’m not perfect and while I’d like to be the shining-star-success-story that everyone can be proud of… this is real life. It’s not a narrative in three acts with simple conflict and resolution. Sometimes the path winds, sometimes things get messy.
None of this is to suggest that Ryan made me feel this way. It was just in his bringing it up that I got to thinking about it. Sometimes I’m so caught up in each new day that I forget that I have a past and that certain impressions from different days will last longer than the time between each post to my website. And – let’s be real – I’m talking about something that happened two weeks ago. It may feel like a lifetime to me, but – really, in some ways, it might as well have been two days ago.

I don’t want to take my focus off of myself, but there were two people I saw last night that … sparked different sorts of thought or concern. (A luxury for someone like me, I know). One, a close friend; the other, an acquaintance. I journaled a lot about it last night, but I don’t think there’s any way to share any of that without compromising somebody else’s privacy.

I know I’m not the champion of mental health, but I’ve got a little something and it makes me sad when I can’t give that to someone I care about. I wish there was more that I could do to help. Maybe there is, but I don’t know what it looks like. I might have to risk hurting some feelings for the sake of honesty. That’s being a better friend than keeping my mouth shut and letting someone fall apart without so much as a word. I’m not talking about “calling anyone out” but just genuinely expressing real concern. I need to tell the people that I care about that I care about them.

Anyway, I’m doing well and I’m looking forward to the rest of my day, which has already been nice so far. Andrea, Mike, and I went to the grocery store and brought back a feast of a breakfast, which Pete, Luke, and I then cooked up. Right now, everyone’s just resting up for tonight or doing their own thing. We’re staying at Natalie’s house with Servo and the Lipstick Homicide kids and it’s really nice and relaxed. It’s pleasant. Sometimes, on tour, in someone else’s home, it’s easy (for me anyway) to feel like an imposition or intruder, but Natalie does a great job of making everyone feel welcome and at ease.


Hit me up if you wanna buy this painting (assuming no one else has yet) or a 12×12″ print.