Living in Shit with The Copyrights (Song Stories #1)

If you’re anything like me (and for your sake, I hope the similarities start and end right here) certain songs trigger memories for you. On our drive down from Jacksonville, late Thursday night, I had the iPod on shuffle and a few songs came up that I hadn’t heard in a while but gave me an idea that I thought might make for a cool series of entries on the website. Here’s the first in my (remarkably cleverly titled) series of Song Stories.

Song: “Prove Me Wrong” by The Copyrights
Time: June 2012
Place: Miami, FL

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It backed up. From wall to wall, the floor in our little shitbox of an apartment was now seeped in toilet water. And yeah – when I say “toilet water,” I’m talking about a lot more than water. We had no cleaning supplies and no car to get to the store. Normally, I’m happy to walk but this was Miami in June and I was in the midst of heroin withdrawals. I felt about as awful as a human being can feel. Besides, we didn’t have any money to buy cleaning supplies anyway. And you can fucking bet that – whatever money we were going to scam up – it sure as shit wasn’t going to pay for paper towels and Lysol. I did the same thing any “sensible” person would do in my position: I took the comforter off the bed and threw it on the floor. It stayed there like that until we left town a few weeks later.

I hated being in that apartment. Actually, to call it an “apartment” paints too grand of a picture. It was a fucking room. And it felt more like a coffin. I felt trapped all day and night around the clock. I wished I were dead. But I wasn’t going to walk out the door for anything. Anything but drugs.

My memory’s a little hazy but if things were as I remember, I’m too ashamed to spill all of the details. You don’t really need to know the source of the money anyway. Suffice to say it was a process that involved more than one felony and ended with a Moneygram or Western Union transfer. I braved the outside world to go pick up the cash, so I could hop a train to Overtown and finally get some heroin. Not enough to overdose and kill myself (what a sweet dream that would have been; I fantasized about it constantly) but enough to make the hurt go away for a few hours. That was enough. I calculated the exact minute that I could expect the money to be ready and left so as to arrive just in time.

But it wasn’t ready. I waited. And waited. And waited. And it still hadn’t come in. Because the people that I was counting on to send it were also drug addicts and – you know – they’ve got their own schedules.

So I sat on the sidewalk outside of the CVS, calling and texting, trying to find out when the money would become available. It started to rain. And I just sat there, clinging to my hope that they would eventually come through. I shook and shivered and sweated. I prayed not to be recognized – after all, this was the same CVS where I’d steal $80 boxes of allergy medication which I’d then return to Publix or Walgreens for store credit. (On the rare occasions that I ate, this was one of the ways that I got food). I’d have walked down the street and looked suspicious elsewhere but I just didn’t have it in me to care that much. It all hurt just a little more than I could stand. Sitting there in the rain… I don’t know… maybe I was paralyzed or maybe I was punishing myself. Maybe I enjoyed my squalor and tragedy on some sick, stupid, self-destructive level.

In any case, that was my evening. And as I sat on that stupid fucking sidewalk in the rain, I listened to music on her phone. The battery was low and I shouldn’t have done anything to speed that process up but I couldn’t help it. Those songs, my songs, were all that kept me from laying down in traffic some days. There was one that stuck out and that I’ll forever associate with that night.

I told you there was a time back then when I still believed
You asked “believed in what” and I said “in anything”
Well the world’s still spinning, and we’re still grinning with cold drinks in our hands
But you’re grading on a curve while we’re sitting on a curb in a cold and callous land

And you tell me there was a time I’d laugh at this dramatic trash
That was coming out of my mouth after too much sour mash
I say the world only spins when I shut my eyes and it goes too fucking fast
But then I’m free to dream about the frequent smiles of a not-too-distant past

You will always run into creeps like me
Who love to swim and drown in negativity
But we want you to strongly disagree
Ignore all the surface signs and prove me wrong

Reminds me when I first saw the Pacific in a sunset glow
Or when we came through the Holland Tunnel for our first New York Show
But if the winners like these are fewer and further between now
The losers like us are too stubborn to ever forget how
to compare and contrast to the best of days
in competitive, unfair, and bullshit ways
instead of just putting our arms around someone we love
you gotta let it go

Please make sure to remind us
Our best days are not behind us

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“Prove Me Wrong” by The Copyrights comes from the compilation LP, “The Thing That Ate Larry Livermore.” You can buy the LP from Interpunk. And (I was under the impression that it was only released on vinyl but) it looks like you can also get it on CD from It’s Alive.


Journal: October 12, 2013

Today was all across the emotional spectrum. I started out with a trip to Tranquil Shores. Even without knowing any of the current inpatient kids prior to my arrival today, there’s no place in the world that I can go and feel more welcome, accepted, appreciated, and loved. I didn’t get to see everyone that I would have liked, but I saw most of them. I was a little manic ’cause I didn’t have my Adderall before I went in but that’s okay.

Day one of this marathon wedding that we left Jacksonville for was okay (while I was still there anyway) but as the night went on, and especially after we left, I really started to appreciate just how much things like that fuck with me. It bums me out a little bit: I like to think that I’ve become this (relatively) well-adjusted human being but I just can’t quite hack it a lot of the time in that sort of environment. I’m just not myself; I feel stifled, uncomfortable, and bored. Back home – in my bubble – I’m free to do whatever I want. I get to engage all day long in creative sorts of projects. I’m able to express myself. I’m able to be (and feel) productive. When I leave the bubble and get thrown into a situation like a stranger’s wedding, I’m very much disengaged. I’m not expressing myself, I’m not achieving or accomplishing anything. I’m not productive. Sometimes I get a little overwhelmed with how “busy” I make myself; the standards I hold myself to can be a little much. But there’s a reason I make those choices and live that way. I need these things, these projects, these goals. I’m not the sort of person that can just “hang out.” I don’t like to be idle. I don’t like to feel idle. Which isn’t to say that I’m a total alien / socially awkward weirdo – I can hang out with friends every now and again, be social, and have fun – but … I don’t know … maybe I’m just not good with strangers. And it seems petty but in a situation like this where I’m “on my best behavior” and have to wear these clothes that I would never otherwise put on… I don’t know… I guess I unconsciously internalize this message that something about the way that I normally am (and even the way I normally dress) is somehow not okay – like I’m “not acceptable” as I am. I have be something else because what I am isn’t good enough.

And like I said, I know it’s petty – especially about the clothes. I know that it’s not about me or some personal inadequacy, it’s just about propriety. (Weddings are formal events so we wear formal clothes; it’s got nothing to do with me and I’m a nimrod for taking it personally on any level). And I don’t actually take it personally because I know better, but it still alters the way that I conduct myself; it still inhibits me. So I sit there trying to “be good” (or appropriate [or whatever]) and I just feel like some dead-eyed nothing.

I didn’t show that at all (or share it at all). I’m pretty sure that Heather and anyone else that spent any time around me would vouch that I was perfectly pleasant, sociable, and friendly. In the car after we left though, I just felt drained. And when Heather was somewhat unintentionally curt, a switch flipped in me and I was thoroughly unhappy. Even after she apologized and tried to comfort me, I just stayed stuck in my illness. And I was totally aware of it(!) but that did nothing to help bring me out of it. I didn’t lose my temper or have any sort of an episode but I just completely withdrew into my own head and stayed there – even more disengaged than I had felt back at the wedding dinner. I just kept my eyes fixed straight ahead of me as I drove, acknowledging nothing, and soaking in the hateful punk songs that I chose as my soundtrack for the next hour.

I had a few errands to run, dropping off things to a few friends that I owed stuff to (a print, a shirt, etc) and – in seeing them – I was able to break out of my little funk. …Only to fall back into it when I realized that I failed to post anything to my website today. I knew how disappointed with myself that I’d be if I didn’t so I forced myself to pull over (after initially resisting Heather’s suggestion that I do so when I first realized that it was almost midnight) and I threw that photograph online (of the piece I made today at Tranquil Shores).

I felt a little bit better after doing that (emphasis on a little) but when we got to the Owens (where we’re staying tonight) and I talked to Don and Mclane, things sort of leveled out. Now I’m in bed, typing this, and I feel okay. Tonight was three hours of wedding though and tomorrow is gonna be closer to twelve. I’m gonna do my best to keep it together but I’m a little scared. I think I just need to remember to give myself little breaks here and there. To break away for a minute every so often to write something down or draw a little picture.

Do I wish I could be the kind of person who doesn’t need to think about things like this? Yeah, sure. But I do like being me too. (If only because I don’t know what it’s actually like to be anybody else). I think maybe that’s good enough.


Walgreens is Dicks; I’m Irresponsible

"Walgreens is Dicks; I'm Irresponsible." 10/11/13. Tempera, oil pastels, collage. 6⅔x8⅔".
“Walgreens is Dicks; I’m Irresponsible.” 10/11/13. Tempera, oil pastels, collage. 6⅔x8⅔”.

I don’t have anything written for today but it’s midnight and I’m gonna hate myself if I don’t keep my promise (mostly to myself) of “new content everyday.” And I DID make a new piece today so even without a statement, this is still something (piss poor as it may be on its own).

I pulled over to the side of the road to make this update. I’ll round it out later with the story. And I also have a couple really strong updates planned, but obviously this isn’t the moment for them. Hopefully, I’ll do better tomorrow. Life is busy/hectic sometimes. That’s no excuse but it’s at least a bit of an explanation.

I’m a little disappointed with myself but this is at least something. Whether or not that’s actually worth anything…


Original/custom cartoon T-shirts

Greetings From Delray Beach shirt #1

Are you guys sick of this image yet? I sold my first custom cartoon shirt (which I made last night). I redrew “Greetings From Delray Beach” onto a pink t-shirt using (black, brown, yellow, red, green, and blue) fabric markers. It took me about three hours.

I'm a Fine Art Enthusiast, You Guys shirt #1

I posted a little thumbnail of this shirt at some point a week or so back (at the bottom of an unrelated post) but this was the first shirt that I made (sometime last month for a friend’s birthday). It’s a modified version of my “I’m a Fucking Artist, Guys” cartoon.

If you’d like either of these shirts (or one featuring any of my other artwork) they can be purchased through my webstore.

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Status update: I’m leaving town tonight to go to a wedding with Heather. A wedding at which I not only have to wear a shirt but a shirt with long sleeves and a collar. I thought I was going to have to buy one but I found this one that I had forgotten that I owned. I think the last time I wore it was eight years ago. I feel ridiculous.

wedding clothes

 

It’s gonna be a really weird weekend but I’m going to do my best to post new stuff on the website each day that’s a little more legitimate / interesting than today’s post. Bear with me! ; )


Everything Sucks When I’m Out of Adderall

"Everything Sucks When I'm Out of Adderall." 3/23/13. Watercolor, pen, marker, and acrylic on 140 lb cold pressed paper. 9x12".
“Everything Sucks When I’m Out of Adderall.” 3/23/13. Watercolor, pen, marker, and acrylic on 140 lb cold pressed paper. 9×12″.

I don’t believe that drugs are always bad. Even drugs like heroin. I think drug use is a problem when it starts to cause problems. If you’re able to use heroin recreationally, sporadically: congratulations! Have at it! If it’s not draining your bank account, if you don’t ever develop a physical dependence, if your use isn’t destroying your personal relationships – well, I say, shoot up to your little heart’s content.

I did that for a while… Five and a half years. I can’t seem to pull that trick anymore though so – for me – the party’s over. I don’t take any drugs these days. Except for Adderall. Every day. Do I have attention deficit disorder? Um… yeah – sure, probably. [Whatever that means]. What’s important though is that it helps me; I do well with it.

Until I run out. In March, there was a hiccup in getting my prescription. [Adderall is controlled to the extent that a doctor needs to write a new prescription every single month]. I had been getting it from the doctor at Tranquil Shores, but I wasn’t in Tranquil Shores anymore. And once I actually run out, it gets even harder to get my prescription. I’m pretty debilitated by its absence in my system. (I’ve been on it for almost ten years). So I had been out for at least a few days and I was struggling to get out of bed or even move. If I’m being honest, part of this is probably psychological but – if that is the case – it’s a tough fucking psychological hurdle to overcome. I feel thoroughly drained.

I dragged myself to the edge of the mattress so I could reach at my backpack on the floor. And I stayed in that position (hanging off the side of the bed) painting or – more accurately -just swiping at the paper. Raising my arm and letting it fall. I wanted to be productive, I wanted to create, but I just didn’t have it in me. Eventually I found the strength to lift myself back onto the mattress and finish the piece with my pen.

You know – having written this all out – I come across as way more pathetic than I’d intended.

The caption says, “I remember when I had ideas. I remember when I had Adderall.”

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Five perfect pop (punk) singles

I went to play my “Don’t Take My Clone” single this morning and found that it had mysteriously vanished. That’s a bummer but rather than get all sad, let’s spin it into something cool.

Originally, I was going to write my list of THE FIVE GREATEST POP (PUNK) SINGLES OF ALL TIME. But that’s a little tough and I’m struggling with the parameters. For example, the song “West Side Highway” by Pinhead Gunpowder is as good as it gets but is that record one of the greatest singles of all time? A single is usually just two songs and that 7-inch has three (one of which is even on Side-A!) Furthermore, those other two songs… not that great. Now, if there had just been one other song and it was on Side-B, well, that’d be another story. (If the “single” on “the single” is good enough, Side-B can be fucking empty for all I care). But [whatever]. Got an idea of the parameters we’re working with? Cool, let’s go.

HUNCHBACK – Werse Houses b/w Beautiful
The best song in Hunchback’s catalog is the fucking creepy-crawliest, haunted, spooky song I’ve ever heard. From the opening bass riff and screeching keys to the way Mike stumbles and stutters through every word, this song is the musical manifestation of mental illness. In the midst of his refrain (“just let me taste it“) he breaks to ask “Will you please play my mommy? I’ll play your little boy. I’ll be your little man if you could just play my mommy… [voice trails off].” The whispers, the screams – it’s all so fucking perfect. As for the spelling of the title – I don’t know what they had in mind – but stupidity is scary. You can’t reason with stupidity. Fuck The Monster Mash – this is the Halloween song so far as I’m concerned.

On Side-B, we’ve got Beautiful, which I’ve been told is Christina Aguleira’s anthem for gay teens or fat teens or [some group of] teens. Personally, a song with so simple an affirmation (“I am beautiful“) wouldn’t have made a shit bit of difference in making me feel any better about myself as a kid, but if someone else was comforted by it: cool. In any case, this “reimagining” is pretty disturbed and isn’t at all “beautiful. If anything, it’s ugly (in the best way possible). A little kid’s voice – cute in some other context but buried just a little bit in the mix behind a piano and some humming – is anything but cute. It’s got the same dark/scary vibe as Werse Houses but isn’t quite as strong – which makes it the perfect b-side.

werse houses

Riverboat Gamblers – Keep Me From Drinking b/w No Fair
Being on a “bigger” label is weird – on the one hand – when To the Confusion of Our Enemies came out, Riverboat Gamblers got a bunch of attention from Spin and Rolling Stone and other shitty mainstream press. On the other, fucking nobody even knows that this non-album single even exists. Volcom has no connection with any of the labels and distros that carry stuff like this, so probably the only place to grab a copy (other than at RbG’s shows) was at stores like Hot Topic or Best Buy. [Does Best Buy carry vinyl?]

These songs were recorded in the same sessions as To the Confusion of Our Enemies but were left off the record, which is kind of funny since the re-recorded version of Keep Me From Drinking is one of the strongest songs on the band’s next record, Underneath the Owl. (Even if that version does sound like the band recorded in a nursing home with seniors screaming at them,  “No, no, no! Play it right! Too noisy!”) Anyway, this version sounds rough and raw and awesome. A great song about the way we live and crossing that bridge when we come to it; tomorrow’s consequences aren’t ’til tomorrow – and tomorrow’s like… almost a whole day from now!

No Fair could have also been a standout track on Underneath the Owl. It’s not quite as special as Keep Me, but it’s got the right energy and attitude for dancing to in the hallway as you watch your girlfriend poop. What?

keepmefrom

Let’s make this a TO BE CONTINUED. Nobody really wants to read this many words from me all at once, do they?

(Uploaded this myself and dumped a bunch of random images of my art into iMovie; figured it’d be more entertaining than four minutes of the album cover).

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  • Astonishingly, Sacred Bones Records still has copies of Werse Houses. YOU SHOULD BUY ONE OF THEM.
  • Some dorks are selling copies of Keep Me From Drinking through Discogs.

Greetings From Delray Beach

"Greetings From Delray Beach." 10/8/13. Pencil, marker, digital. 10x13½”.
“Greetings From Delray Beach.” 10/8/13. Pencil, marker, digital. 10×13½”.

I started offering t-shirts with my artwork on them recently. Originally, the plan was just to offer shirts featuring my simpler cartoons, but I decided that there was no reason not to open it up to include my paintings as well. Since some of my more expressive paintings though can’t exactly be transferred to a shirt, the plan was that if someone wanted to buy a shirt like that, I would “adapt” the piece for the shirt (just as I had with “Merry Christmas 2K12”).

My friend, Ren, had said she wanted a shirt and when I posted my newest painting the other night: “That’s what I want!”

I wasn’t 100% certain she was even talking about the shirt, but I was immediately excited. I love that painting and the story behind it but – as soon as I saw her comment – I realized that its caption could also be the basis for a really cool cartoon.

"The Island in Pinocchio Where Bad Kids Go to Be Bad (Welcome to Delray Beach)." 10/5/13. Acrylic and watercolor paint, food coloring, resin sand, and pen. 16x20" stretched canvas.
The original painting.
Just before bed last night, when I had finished sketching it out, I was really happy with it...
I finished sketching out the cartoon “adaptation” late last night.

 

...but when I finished the color, I wasn't too happy. The way it was laid out, it felt like two separate images stacked on top of one another.
As soon as I woke up, I inked and colored it.

At that point though, I was suddenly not so excited. The problem was that I had wanted it to be as big as possible (for the sake of the t-shirt) but now – looking at it – it felt like two separate imaged stacked on top of one another. But – after scanning it into the computer and playing with the layout – I’m really happy with the finished product. Thanks, Ren!

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For sale

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Aside: I feel a little funny about there being so many “products” related to this piece but it’s not like I’m not making the stuff that I want to make. My life costs between six and eight thousand dollars per year.  I’m pretty excited that I haven’t had to get a regular job in order to pay for it yet.

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Update (same day): “Welcome to Delray Beach” is now “Greetings from Delray Beach.” Makes more sense to change it for this piece.