Raygun Youth

"Raygun Youth." 8/3/13. Acrylic paint and ink on wood panel. 24x6".
“Raygun Youth.” 8/3/13. Acrylic paint and ink on wood panel. 24×6″.

I painted this for the cover of Billy Raygun’s posthumous discographic cassette. Each of the three bits of text is a lyric from a song of theirs that means something to me.

I thought I heard you calling; it was just the emptiness ringing in my head. I still think about you a lot. I still think about you a lot. I still think about you a lot.

In April 2011, my six-year relationship with Taylor came to a close. She broke up with me. I didn’t take it well. I had been pretty strung out on heroin, in a pretty bad way, for a little while but had just gotten into my first “treatment program” a few days prior (it was just methadone maintenance – not exactly the best path to wellness but what did I know?) On top of that, final exams for my final semester at Georgetown Law were about to begin and I hadn’t been to any of my classes all year. I didn’t even own the textbooks. I had a lot of studying to do if I was gonna graduate on time and I knew god damn well that if I didn’t graduate now that it was never gonna happen. I needed to keep it together (get it together) real, real fast if I was gonna keep everything in my life from crumbling into absolute shit, misery, and failure. Between the methadone, the heroin, the Adderall, and the sleep deprivation that goes along with studying in 24-hour shifts, I was … not entirely well. For a while there, I started to experience regular auditory hallucinations. Mostly, it was people (strangers) screaming at each other. It was like channel surfing on a TV where every single show featured nothing but loud, angry people. Occasionally though, I’d get a break in that and hear something softer and sweeter: “Sam…” It was a voice I knew; it was Taylor’s voice. Every single time, I’d turn around without fail, hoping (and actually believing) that this time she’d actually be standing there. She never was (of course) but it still broke my heart a little bit every time. It was a miserable cycle of studying, drugs, and crying.

All of this care / not caring is killing me.

This lyric isn’t tied into any one specific memory as much as it serves as an all-encompassing description of my relationships (romantic and otherwise) throughout my life. Oscillating frantically back and forth between giving a shit and shutting down. Between feeling loved and feeling abandoned and rejected. Sometimes it seems like my emotions are wired to a light switch. It doesn’t take a lot to flip from “perfect” love to total apathy (or even hatred). And since “we’re attracted to those at our same level of sickness/health,” I’ve gotten mixed up with plenty of girls who are equally skilled at unintentional (often drug-fueled) emotional back-and-forth. There was one night in early 2012 when my then-girlfriend professed her deep, unending, profound love for me in one moment, and was swearing that I was a disgusting, ugly, unlovable piece of shit in the next. And before the hour was up, she was right back to telling me how wonderful I was. Experiences like that can fuck with a person…

I’ll just admit that it’s a different girl, the same old story.

When I half-heartedly tried to kill myself in December 2012, I didn’t write a suicide note, but I did scribble something down on the back of one of many scraps of paper that were laying around my room. All that it said: “different girl / same old story.

—–

Ideally, I’d have held on to sharing this until this release was announced but – shit – it’s been more than six months since I painted it so… sorry, kids!

Here’s a stream of their self-titled full-length. The first song is the first song I quoted lyrics from.


Status: January 11, 2014

Rain. Tent started leaking. Put things under the table for cover.. Moved some paintings inside. Ground was flooded when I got back. A lot of stuff is very likely damaged. Trying to figure out whether the appropriate respond is to kill myself or to just laugh it off.

Right now, all I can really manage is to smoke cigarettes in the rain, listening to The Credentials with a blank expression.

20140111-172537.jpg


Suicide Jacket

"Suicide Jacket." 2/18/13. Acrylic paint on my winter coat. 15x24".
2/18/13. Acrylic paint on my winter coat. 15×24″.

“Don’t let anyone tell you you can’t kill yourself. You TOTALLY can.”

This was my last piece before I moved out of Tranquil Shores and back into the real world. Until that morning, I had been operating under the assumption that I’d be staying for at least another two months or so but – as I found out when I went into the clinical office that morning – I only had ten days left. I was really upset – kind of shattered. It caught me completely off guard. I walked back to the residential property, went into my apartment, and painted this. It’s only on my jacket because I didn’t ever have canvases at that point and I was all out of cardboard.

Suicide Jacket photo

I’m not sure the sentiment warrants any explanation but it’s a play on the misuse of “can” (in place of “may”) and a response to anyone who says that suicide is wrong or selfish. I think that’s true in some instances: the moment you decide to have kids, for example, I think you forfeit your right to kill yourself. To bring another life into being and then decide, “ehhhh… maybe life’s not worth living after all,” – that’s kinda bullshit. But in my case – back when I was seriously contemplating (and occasionally attempting) suicide, I didn’t have anyone in my life – no one that I felt I owed anything to anyway. I was isolated, hopelessly stuck on heroin, and every  day hurt. Living was really painful. I think it was my older sister (I don’t remember for sure) but shortly after I got out of the hospital for an overdose in September 2011, I got a phone call.

“That’s a really selfish thing to do, Sam,” she said.

Fuck you, I thought. “You wanna know what’s selfish?” I asked. “Expecting me to endure this kind of pain every day – to keep on with this shitty, empty life, devoid of any happiness whatsoever – so that you can call me on the phone two or three times a year.”

Obviously, my life didn’t have to be that awful but – at that point – I didn’t have what I needed to do anything about it. And while I’m glad I didn’t die, I still (basically) feel the same way. Things turned around for me but there are plenty of other people who aren’t so lucky – people who struggle for decades with mental illness and addiction and never find any kind of a light. Carrying on with each new day is a gamble that doesn’t always pay off. And while I’ll always try to encourage someone to try something different / take another shot at life before they throw in the towel, I still wouldn’t tell them that they have to keep going. There are certain people whose deaths would devastate me but I know how bad life can hurt and I’m not gonna deny them relief. If you can’t take it anymore, it’s your right to check out – and the pain others might feel from the loss isn’t on you. After all – if it’s more than they can stand, everyone else always has that same option…

Although – if nothing else – suicide is pretty dumb – and sorta lazy. The thing about it is that it’s usually the result of feeling trapped in some situation. Being afraid of the consequences of breaking out [of whatever position]. But in killing yourself, you’re gonna break out of it anyway so why not first take a shot at another route of escape? Throw some shit in your backpack, get on a bus to some city eight hundred miles away, and just see what happens. Have a fucking adventure. If you can’t handle your problems: DON’T. Quit your job, forget about your lease, disconnect your phone, and just start over. Worse case scenario: you’re still unhappy and you kill yourself a week or two later. But if you’re not determined to be miserable (and you actually make an effort / try something new) chances are you’re gonna figure it out eventually. I did.

—–

I’d like to think I offset the gloom of this entry with a little bit of optimism, but if I fell short, maybe this’ll make up the difference. It’s a song that is totally unlike most of the music I listen to, is (in a lot of ways) every thing that I usually detest in music, but that (for whatever reason) has a really positive, exciting, happy kind of effect on me.

—–

2026 update: When I relapsed a decade ago, things didn’t go especially well for me. At one point in 2017, there were multiple warrants out for my arrest and the cops KEPT COMING AROUND. After one night when they were especially determined to get me, I hopped a fence in the backyard, took off, and didn’t go back home for a month, and – even then – only to quickly grab my stuff before leaving town (Jacksonville) for good. This jacket/painting was one of the things I was sad to realize I’d left behind.

Initially, when I got clean again, I still sold all of my old artwork as prints. This one still sold a lot, despite the fact that – divorced from its story, I don’t think it’s any good. More recently, I stopped restocking the older stuff that I’m not unequivocally proud of. A handful of those old pieces though, I decided to use the concepts for new paintings. This one became D.L.A.T.Y.Y.C.K.Y.Y.T.C.


I Am Impossible

"First Day of My Life (Story)." 11/28/12. Colored pencil. 6x8½".
“I Am Impossible.” 11/28/12. Colored pencil. 6×8½”.

Jesse coined out and went on vacation with friends of her parents. She’ll be back, in two weeks, as an outpatient, and she’ll be living on property again. That makes me really, really happy. I don’t know what I would do if she left for good. She’s the source of all that’s good in my life. She’s what makes my life worth living. You know… since I had met her a couple weeks ago anyway.

We talk every day while she’s gone. I tell her about the note I got from Hal. She has something to tell me but won’t say what. I’ll get it out of her when I have her in person. I don’t think for a second that she’s relapsed. But she has. And that’s not fair.

Jesse got back two days ago and, yesterday, started to really push. She wants to get high. “That’s a terrible idea,” I tell her. But then something MONUMENTAL happens. This morning, she went off-property to go do something other than hang out with me. Naturally, I’m feeling rejected and depressed and  am in a really dark place again [unreasonable as that may be]. As she always does when I get this way, she’s distanced herself, which is – of course – making me feel even more rejected. But I know how I can feel better and win her back.

I call Stacy. She’s at the hospital because her sister is giving birth but – if I can meet her there – she’s got some thirtys on her that she’ll sell me. [Florida. It’s always pills with these kids.] Close enough. I set it up and look for Jesse. When I see her, I creep up with a grin that tells her everything she needs to know: “Go sign out and park your car at the strip mall. Soon as the coast is clear, I’ll sneak off property and meet you. We’ve got an errand to run.”

—–

That was part two of the story I started to tell yesterday.

I’m pretty sure anyone reading this already knows but just in case… A “thirty” is a 30mg oxycodone pill. More commonly known as “blues,” but I’ve always hated that name. It’s too cute. If you had asked me about it back in the day, I’d probably have said something like… “I shoot heroin and – absent that – synthetic heroin. But never blues. There’s nothing colorful or fun about this.”

Really, I think I was just upset that my SUPER COOL DRUG HABIT had been co-opted by half the dorks in Florida and I didn’t wanna use the same terminology as them. I was dangerous; they were cuttin’ loose! … Fuck that.

[Check it out, guys! You can be a douchey elitist when it comes to just about anything!]

The drawing I chose for this entry was drawn on the day that I shared the first half of my life story in group at Tranquil Shores. It was also a day on which I was similarly upset because I felt similarly rejected by a girl that I was similarly in treatment with.

The tombstone behind me reads: “Sickle Cell: November 4, 1985 to Any Day Now.” The original drawing was damaged before I ever got a good picture or scan of it, so this image is the best I can do.

 


Perfect Love / Exit Bag

"Perfect Love / Exit Bag." 10/31/12. Tempera, colored pencil, oil pastel. 12x18".
“Perfect Love / Exit Bag.” 10/31/12. Tempera, colored pencil, oil pastel. 12×18″.

“Perfect love” (to me) isn’t just unconditional love; it’s bigger than that and it’s greater (or wider) than any kind of romantic love. It’s a total respect for the entirety of another human being. It doesn’t have any room for jealousy or anything like that.

I really like the word “cupidity.” Technically, it’s an excessive desire to possess something (like money or materials things). Given the connotations of “cupid” though, I like to think of it as more of an excessive desire to possess someone. It’s sort of the opposite of perfect love. When I meet a girl, I have a tendency to go from one extreme to the other. One minute, I might be totally enamored or infatuated with her and then – the second I fear that she might not reciprocate (if she’s paying more attention to someone else, for example) – I’ll totally shut off absolutely all feeling and cease to care about her in any way at all. And then – the moment my fear is somehow allayed – a switch flips and I’m one-hundred percent invested in her again.

I’ve never been what you’d call a jealous or possessive boyfriend. I’m not bothered by my girlfriend going out without me, having male friends, or anything like that, but I think that’s because – once she’s “officially” my girlfriend – my cupidity is sated. That’s all the “possession” I need to feel okay, but that’s still a problem. It’s still not okay with me that I (feel like I) need that at all.

Last October, I was in treatment and I liked a girl but I knew it was a bad idea for me to get involved. So I was trying to have a genuine friendship with her. I was trying to practice this concept of “perfect love” that I had in my head. I was trying to be real and authentic and honest, and to value and respect her as an independent human being. It was a totally different dynamic (and experience) than my usual approach of (still trying to be honest but primarily) trying to get her to like me (or want to be my girlfriend or want to sleep with me). I wanted my behavior to reflect perfect love, which meant acting without any expectation, desire, or even hope of receiving anything in return.

On Halloween, she was having a problem and – after coming to me for help – she went to someone else. “What – I’m not enough? My help wasn’t good enough? What’s happening!?”–I thought. I didn’t show any of this outwardly, but the switch flipped and I immediately ceased to have any interest in this girl. My feelings were hurt so I was going to stop caring. …Because I wasn’t the only person that she shared her problem with…

And it’s worse than that even. In these situations, I don’t usually stop caring about the girl alone – more often than not, I also stop caring about myself. Suddenly, I’m a worthless unlovable piece of shit and there’s no reason for me to be alive. (My attempt at perfect love was an abysmal failure).

This all happened just before expressive art therapy group. An “exit bag” is a homemade suicide device. To make one, you need a helium tank, an oven bag, a piece of string, some tape, and a tube. I felt like I wanted to die, but I knew that I didn’t really and I wasn’t ready to talk about my feelings because I probably wasn’t ready to feel better. I needed to punish myself by stewing in misery for a little bit longer. Writing “helium, bag, string, tape, and tube” here was my way of saying “I WANT TO DIE” without having to deal with anyone’s response to a statement like that.

Because so much of what I was experiencing as I made this piece so perfectly exemplifies (/is symptomatic of) borderline personality disorder, I came to see the ghost that I drew here as sort of a stand-in for BPD. He’s in at least five of my pieces (including a tattoo). Once I have more of those online, I’ll probably do a special post just to feature him in all his different forms. (That sounds like fun to me). : )


Chrissy Fit

"Chrissy Fit." 12/11/12. Pen on scrap. 8½x4”.
“Chrissy Fit.” 12/11/12. Pen on scrap. 8½x4”.

I’ve struggled with whether or not I should post this image. I drew this the day after “Clarity” and the day before “No Accident.” If you haven’t read the entries that I wrote to go along with those pieces, you should. This week in December may have been the most significant of my life. I’m very glad that it played out as it did.


Clarity

“Success rates” for slit wrists and knives to the heart are surprisingly low. I didn’t want to go to a hospital…

Forty-eight hours before “No Accident” and the moment when I started to finally “get better,” I was in my room – researching suicide methods that didn’t require anything that couldn’t be found in my apartment at Tranquil Shores. I was going to kill myself because a girl was mad at me. A girl that I wasn’t even sure that I liked.

Earlier that afternoon, we did an exercise in group. We had to pull a couple items out of a basket and relate to them. I declined to say anything aloud, but when it was time for art therapy group, I started writing.

The fortune was absurd, the paper it was printed on was dirty and crumpled. Together, they were useless. This pencil is not useless. It has incredible potential. It is an instrument of a higher purpose. In the right hands. It is comforting. I like holding it in my hand. With paper, it can save me from almost anything. And it is forgiving. It has an eraser. If I make a mistake, it allows for correction. Or at least undoing. The mistakes I make with it are rarely entirely forgotten. I don’t know how to apply this to my life. Is it by chance that the trauma I addressed [in group] this morning, that I was supposed to see is not happening anymore (but which I claimed could and would (and sort of was) still taking place) – is it by chance that just hours later it pretty much is [happening again]? Or did I choose that memory because it had already begun? Yes, that’s it. It’s just more clear now. Because I realize I’m no longer willing to be honest which means I can’t get better. I can’t be helped. So there’s no reason for me to be here. Except that to hope that things will change once more. I no longer believe that I’m a drug addict. Sort of. I know I can’t use drugs (or that it’s not worth the risk in any case). But I’m not going to pick up. Fuck that. I’m over it. It’s not appealing anymore. But I’m miserable. Like I realized on my first weekend here, people are unhappy for countless reasons other than drugs. Me? I have no legitimate reason to be unhappy. It’s all in my head and it’s illogical. Is that recognition enough to get help in getting well without disclosing my irrational stressors? Celexa is an SSRI. Cymbalta is an SNRI. Which means that it does the same thing as Celexa, plus more. Adding Celexa to my prescription [regimen] adds little to nothing. And it will be another 3½ to 5½ weeks before we even know if it’s having any effect. I need something different and I need something faster. I am chemically imbalanced. I need chemical balance. Abilify might work. It’s too expensive. It’s less expensive than inpatient treatment. Maybe I’d be better off with Abilify and outpatient treatment. Here or elsewhere. At this point I’m not afraid to leave.

I don’t like art anymore. I don’t like treatment anymore. I don’t think I’m ready to get better anymore.

"Clarity." 12/10/12. Pencil. 12x18".
“Clarity.” 12/10/12. Pencil. 12×18″.

This piece is called “Clarity” because that’s how I actually felt in this moment. I thought I had nailed it. I was deluded enough to think that my primary issue was chemical, thoroughly confused as to whether or not I needed any kind of mental health therapy or substance abuse treatment, yet I was somehow lucid enough to know that those feelings (and my written rant) were totally insane. The title is “Clarity” because I thought it was hilarious. I wasn’t laughing, but I knew it was funny. Even then.

Sometimes, emotions are more powerful than facts.

Later that night, I made a half-hearted attempt to kill myself by asphyxiation. (Success rates are in the seventy to eighty percent range).

————————-

When I handed over the Traffic Street inventory to Kiss of Death, Glenn gave me a few new KoD releases. One was The Slow Death’s first LP. I listened to that record a lot while I was at Tranquil Shores. My name is on the thanks list even though I didn’t have any hand in its release. (Though I had been a big fan and supporter of The Slow Death and helped them out in other ways, so it wasn’t totally shocking). Still, I wasn’t expecting it and it was a really nice surprise. I had become so far removed from the world that I had lived and breathed for so long… Little things like that helped me feel connected in those days. It meant a lot to me. It seems appropriate that my first experience back in that world was the little tour with Rational Anthem this month, up to the fest that Jesse (of The Slow Death) organized. Here’s a song from that first LP that came to mind while I was writing this entry. And here’s a second song from their brand new record.