You’ll Miss Me When I’m Gone (and Other Lies)

You’ll Miss Me When I’m Gone (and Other Lies): The exciting new bestseller from the acclaimed author of “Why Don’t You Love Me Anymore?” and “Wah Wah Wah” | 13 May 2026* | acrylic on canvas | 48×36″

It’s the morning of my birthday, I’m in a tiff with my friends, and – even though I’m generally having a good time right now – that conflict is adding a dark undercurrent to my feelings.

I just had a moment – and the feeling that I miss having a person. That one person who I can share everything with. I thought about how my last person just flew across the country to go into rehab again. And then I started thinking about nurturing sick relationships, which brought me a sinister kinda delight. And THEN it occurred to me that I could shoot up today and no one would ever know. And I doubt I will, but I still HAD THE THOUGHT.

It’s around 5pm now and Brandon texted to ask if I’m coming over. (Not when, but if). I asked about THE PUMPKIN at the heart of the embarrassingly petty conflict between us.

He didn’t call and say: “Let’s not stress it, it’s your birthday, let’s just have a good time.” He texted back: “If you wanna argue about it, maybe it wouldn’t be a good birthday dinner.”

So I just thumbs-upped that shit and I’m not going. I’m not feeling anything like DEEP DESPAIR, but I am feeling a little like “fuck everyone else in the world.” I leave town soon so now it’ll be at least 5 weeks before I even have a chance to see Brandon and Amanda again. 

Those two are my best friends. They took me in when I was at my worst and helped me get my life together when everyone else told them not to take a chance on me. Without them, I wouldn’t be making art or building a career. I wouldn’t have any reason to leave town for 5 weeks.

But knowing they haven’t realized they just missed their last chance to see me until December – that gives me a sinister kinda satisfaction too. I’m PUNISHING THEM.

This painting’s not about going away for 5 weeks. Its title (LIKE ALL GOOD TITLES) is a suicide threat. I’m not even 5% of the way to feeling suicidal BUT I STILL ENJOY THE SENTIMENT.

Being dead so EVERYONE CAN FEEL BAD ABOUT THE HORRIBLE INJUSTICES THEY INFLICTED UPON ME is a nice fantasy. Emphasis on “fantasy.” No one gives a shit and I’m a fucking crybaby. 

“You’ll miss me when I’m gone?” I mean – sure, sort of. But not really. People move on.

The small text on the book’s cover is: The exciting new bestseller from the acclaimed author of “Why Don’t You Love Me Anymore?” and “Wah Wah Wah.” I wrote it with my ex in mind. She says she loves me but – even before she flew off to rehab – she wasn’t with me. I don’t even know that I wanted her to be, but I did want her to want to (be with me).

That’s dumb ego shit. I need to drop it. All the “sinister” stuff – that’s dumb too, but I ENJOY IT SO MUCH. And it might be an inexplicable part of who I am. I’m sort of okay with that because I think it’s a coping mechanism and – so far as coping mechanisms go – I’ve had worse.


You’ll Miss Me When I’m Gone was painted from 27 June 2025 through 30 August 2025, with additions on 4 and 18 November 2025, and major revisions on 13 May 2026.

I’ve historically had the policy that once a painting is finished, it is locked in amber as a snapshot of where I was as a person (and an artist) at that moment in time. But I’ve been thinking more seriously about my career lately and want all of my work to be of the highest caliber. After this painting was finished, I wrote long journal entries that I transcribed onto the canvas and used as the foundation for this statement. Months later, I repainted 15-20% of the canvas and cut most of the journals from the statement. They were PRETTY TRIVIAL and I no longer think my work needs embarrassingly specific details to be interesting. My standards for color, composition, and expressivity, on the other hand… KEEP RISING.


Hurricane Milton < Hurricane Juliana

After packing my entire life into my car, stashing it on the fifth floor of a parking garage, and preparing to go to my grandparents’ ALF to wait out the hurricane (‘cause the building is “hurricane-proof” and has generators), my ex got around my many blocks (phone, email, social media) and begged me to give her ONE MORE CHANCE. And I brilliantly allowed her to come with me. It was fine (even GREAT) for that first night and then – the day of the hurricane – it became clear that nothing had changed and I was trapped in there with her.

It was torturous. To love someone so much, know it won’t work out, and then be stuck someplace together. And she just doesn’t get it. She still thought we were going to sleep together that second night, cuddled up, spooning on the couch. (There was no bed in the room we stayed in). I don’t know if she’s a sociopath or just has the emotional intelligence of a five year-old but I also know it DOESN’T REFLECT ESPECIALLY WELL ON ME that I was ever in love with this person or thought I wanted a life with her. I know I say this all the time but “we are attracted (and attractive) to people with similar levels of emotional health/maturity.” I would like to believe that my reluctance/refusal to engage with this anymore means that I’m getting better.

Anyway, it turned out that even though the hurricane made its initial landfall RIGHT HERE IN SARASOTA (less than a mile from my place), everything was alright. And nothing happened to my car. So I spent all day putting my life/home back together (just finished this minute) and I can LICK MY EMOTIONAL WOUNDS from the comfort of my home.

Things could have been worse. I need to remember to be grateful for what I’ve got. Friends (that helped me unload my car and then FED ME PIZZA), a home that I like, people all over that care about me, I’m clean, back to making art, and I don’t need to rebuild my life from scratch simply because of a natural disaster/GOD HATES ME. (Or maybe he doesn’t, seeing as how it worked out). But he PROBABLY does.


This was originally written simply as the caption for a TIKTOK VIDEO (I wonder if those words will ever not sound ridiculous to me?) because I’m currently operating under the belief that TikTok is my best shot at marketing myself/rebuilding my career, especially as long as I’m still just living in Sarasota. Here are the photos from the post for anyone that doesn’t wanna use that app.


Run Free, Spit Fire, Yell at Clouds

“Run Free, Spit Fire, Yell at Clouds.” 1/11/18. Acrylic paint. 40×30″.

This painting was commissioned by a wonderfully supportive patron named Maura, as a tribute to her friend, Tommy, after his passing.

I knew Maura a little through emails but didn’t know Tommy at all. Honoring someone I didn’t know was a little intimidating. It felt like a big responsibility and I wanted to do a good job. 

After looking over his social media, I was able to paint little allusions to his interests, but I knew the text was gonna have to carry most of the weight. I needed something that would pay tribute to Tommy and – hopefully – bring some comfort to Maura and anyone else Tommy left behind that would see my work.

A week or so in, I saw a feature column about suicides and empathy that triggered something. I started journaling about it in the silver quadrant of the painting, but it didn’t really go anywhere. If it weren’t for the bit where I name a few friends, cut myself off, and instead say “WHOEVER READS THIS AND WANTS ME TO BE SAD WHEN THEY DIE” – and the fact that that gave me a shitty little smile – I probably would’ve painted over it. I’d mildly succeeded in amusing myself but certainly wasn’t meeting the bar I’d set to honor Tommy. I took another shot at it in the green quadrant:

This painting was commissioned for Tommy, who’s not with us anymore. Maura told me about this poem he liked. Asked if I could incorporate it somehow. The last part was his favorite. “I was a dog on a short chain and now there’s no chain.” I (think) I get it. It’s about being free. Which I can appreciate. I mean, I am a STRAY DOG. (Even if I sometimes consider trading that freedom for  the warmth of a home). Now - thinking of Tommy and the way his chain’s really been cut… Death is the ultimate freedom. It’s freedom from everything that fucks us up in life. AND it’s a home (of sorts) and…

That train of thought hit a wall. I was rambling again, lost, trying stumble into meaning.

What the fuck am I even talking about? I don’t know anything about anything. I wanna believe that Tommy and all the people we care about but aren’t here anymore - that they’re all free and okay and “singing loud” and safe and “warm” and… I don’t know. Maybe they are. Maybe it’s a nice thought at least. 
Fuck it. You know what? (You know where my fucking name comes from?) “Thrash life! No death!” And I think that’s the same sentiment that Tommy appreciated in that poem. Forget all that shit that comes with “the ultimate chain” or the freedom that comes in death. Tommy wanted to break the chains here on earth and LIVE FREE. So that’s what we ought to do and that’s what I wanna focus on. I wanna RUN FREE, SPIT FIRE, YELL AT CLOUDS, sing dumb songs, and thrash life. This one’s for you, Tommy. I hope you’re out there, fucking shit up in the ether.

It’s been six years since I painted “Run Free” and wrote those passages. Looking back at it today as I finally write a statement to accompany the painting, I can’t help but think of my friend, Steph, who just died. I didn’t cry right when I found out she was gone, but I did cry when I woke up the next morning, thinking about how trapped and hopeless she must have felt. We’d not been in regular contact for a while but she was important enough to me that – had I known how close to the edge she was – I’d have told her, “If you don’t want to go back to Jacksonville – fuck it – come here. You can stay with me. Or just try something – anything – different from what you’re doing now.

Could I have fixed her? No. But we could’ve spent time together. We could’ve laughed. And maybe she’d have seen that things weren’t so bad outside of the shitty little world she’d constructed around herself back in New Orleans. Maybe she’d have found it in her to build something new.

Life is hard enough for anyone, but when you don’t believe in anything and you’re miserable, it’s pretty tough to justify not killing yourself via overdose (intentional or not) – or even arguing to a suicidal friend that they wouldn’t be better off dead. But life can also be pretty great every now and then. Being in love. Genuine, caught-off-guard laughter. Even just seeing something that reminds you of someone you care about. Mischief. PUNK ROCK. Setting a goal and meeting or exceeding it. Making something that’s meaningful to you and then OTHER PEOPLE TELLING YOU IT’S ALSO MEANINGFUL TO THEM. Shit – last night I posted my first TikTok video that actually seemed to get some attention from strangers who are now following me. 

Some of these things (okay – mostly that last one) are pretty trivial. But they’re also ENERGIZING. They FEEL GOOD. Even with friends dying, and some girl breaking my stupid fucking heart, and feeling lonely (and like a 38 year-old fuck-up who’s starting from scratch again, barely able to support himself, AND (so far) NOT SELLING ANYWHERE NEAR AS MANY PRINTS FROM MY FRESHLY LAUNCHED WEBSTORE AS I’D HOPED). 

If we don’t know what the alternative is – and if it may well be simply ceasing to exist, why not try to make the most of the time we do have? What do we have to lose? 

And what can we do to honor the people we’ve lost?

Not much. But we can live in ways that would make them smile if they could only see us. And maybe they can. (Probably they can’t). But LET’S JUST SAY THEY CAN and do it anyway. If nothing else, it’ll make it easier for us to keep going. And we might as well. Those little moments and good feelings are worth living for.


Being a commission, this painting is already sold, but 16×12-inch prints are available (and BEAUTIFUL) in my new webstore. And if you’d like to commission your very own original painting, I would (of course) love to hear from you.

Your support (sharing/reposting, buying, whatever) means everything to me. Thanks for reading.


Happy Martin Luther King or Valentine’s Day

"Happy Martin Luther King or Valentine's Day." 12/11/2013. Colored pencil and ink. 4x5¾".
“Happy Martin Luther King or Valentine’s Day.” 12/11/2013. Colored pencil and ink. 4×5¾”.

When I sent cards to the people I care about for the holidays in 2012, I didn’t end up getting most of them mailed out until early in 2013. With that in mind, I figured I’d play it safe this time around and draw something that’d play off my anticipated tardiness. So (of course) the cards ended up being totally ready to go with more than enough time to spare before Christmas. But that’d mean my joke wouldn’t work! So I held off on asking for addresses ’til I figured it was late enough that people wouldn’t suspect I was asking for the sake of Christmas cards and then waited even longer (January 1st) to actually drop them in the mail.

I held off on sharing this cartoon ’til now because I wanted my friends to see it for the first time when it showed up in their mailbox. And then a couple months went by and I just forgot about it.

So here it is, “Happy Martin Luther King or Valentine’s Day! (punctuality’s not really my strong suit).”

If we’re pals and you didn’t get one, it’s ’cause (1) I asked for your address and you didn’t give it to me; (2) I didn’t ask for your address ’cause I thought I already had it but you’ve moved and I don’t know it; (3) you were just one of those unfortunates that was probably on my list but got lost in the shuffle. Better luck next year! (And in the meantime, send me your god damn address). I love all of you.


Annual Check-Up

"Annual Check-Up." 3/1/13. Oil pastels. 5½x18".
“Annual Check-Up.” 3/1/13. Oil pastels. 5½x18″.

“I get a physical at least once a year. Not by design. It’s part of most places’ intake process.”

I don’t remember if I had this idea or if I just drew something that developed into a kid in a straight jacket and then added the caption after the fact. Either way, it’s silly but it’s not really a joke. The only check-ups I’ve had in years were all in treatment centers, mental wards, and methadone clinics.

—–

I’m still outta town, visiting a friend. Today, I met James; he’s seven years old and really great at Mad Libs. For example:

Yesterday my friend Poop and I walked across town to see Santa at our local poop store. But there was a long line of kids waiting to poop with Santa. As expected, he was a big, round poop who wore a bright red poop. Whenever a little kid came up to him, Santa would sit the child on his poop and ask, “Have you been a good little poop this year?”

James has been lucky to find his niche early in life and I admire his confidence in ignoring his detractors and refusing to deviate or stray from his vision. He knows what works and he delivers.


Sharps Attack

"Sharps Attack." 2/13/13. Watercolor. 9x12½".
“Sharps Attack.” 2/13/13. Watercolor. 9×12½”.

The plans were made and my flight was booked just a few hours before I made my way to the airport; I left Florida this morning to visit a friend for the week. She picked me up at the airport and we went back to her place, where I found this watercolor painting that I had given her after painting it back in February. It was my first time using non-Crayola watercolor paints, which were a gift from a friend. The special (watercolor specific) paper I used was also a gift from a(nother) friend. I’m very lucky in that sense. The words are still a little uncomfortable but… I’m very blessed.

I’ll be fairly preoccupied until I get back to Jacksonville on Friday night, so don’t take it personally if I don’t respond right away to comments, texts, emails, etc.

And if you ordered the Like Bats cassette and/or any art/prints last night or today, my apologies for the delay. I had no idea (or even any reason to suspect) that I’d be taking this trip until earlier this morning. I’ll ship everything out just as soon as I get home.


Matt

"Matt." 2/1/13. Colored pencil. 8x10".
“Matt.” 2/1/13. Colored pencil. 8×10″.

Rather than pay attention in group one morning, I decided to try and sketch my friend sitting across from me.

I’m pretty sure that this was my first (and only) attempt at an honest portrait. My technical ability as an artist is so limited that I rarely ever risk even trying to draw caricatures. I can think of seven exceptions but the only ones online so far are Rational AnthemHeather, and Servo & Megan.

Matt and I were sitting outside smoking cigarettes one day and he had some paperwork to fill out. We both thought it was pretty silly that the form asked for his race and ethnicity and, while he was initially hesitant, I was eventually able to convince him to have a little fun with it.

Matt's Paperwork