Sorry for Overdosing in Your Bathroom

“Sorry For Overdosing in Your Bathroom” 3/8/19. Acrylic paint. 20×20″.

Wallis and I both wanted to get clean. To get myself through the worst of the withdrawals, I took a fair bit [okay, a SHIT TON] of Xanax to keep myself as close to unconscious as possible. The next morning I woke up and Wallis was gone. She’d decided to go for inpatient detox but I was too out of it for her to communicate that to me. Being the loving and thoughtful person that she is, she’d arranged for a friend of ours (Whitney) to be there when I finally came to, to explain everything to me. But when I first regained consciousness, I was so out of it that I thought Whitney was Wallis. For a while. It really had to be explained to me. Several times. 

When Whitney did finally manage to get through to my drug-addled brain, I flipped out. I felt totally abandoned and upset and hopeless and – honestly, it doesn’t really matter. I was so fucked up on Xanax that I wasn’t myself anyway.

For those that don’t have experience overdosing on Xanax, it’s not the kind of drug that will kill you on its own. So you can take dozens of pills but – unless you introduce alcohol or another drug into the mix – you’re not going to die. At insanely high doses though, you will begin to behave like a RAGING lunatic. (Particular emphasis on “raging”).

What I did next is unlike anything I’d ever before done in my life. I took a knife and slashed through all of my paintings. And my biggest painting – the mammoth 12×8-foot piece hanging across the entirety of the living room wall – well, I set that one on fire. And then for good measure, I took our 50-inch TV and threw it through the closed living room window into the front yard. So Whitney now had glass and fire and a lunatic to contend with. Well, glass and fire; I jumped on my motorcycle and sped off.

Darting all over town in my drug-addled haze, it’s a miracle I didn’t crash that bike and lose a limb (or worse). I had a SHOPPING LIST to quietly, painlessly end my life. An overdose quantity of heroin should get the job done on its own; added to all the Xanax in my system would make it a sure thing. And just for good measure, I’d also chug as much alcohol as I could stomach (just before shooting up – and in the time before I lost consciousness). Having thrown all my syringes away in preparation for the detox/getting clean, I’d also need to find one of those.

Once I had all of my supplies, I needed someplace that I could actually do this. My house likely had a police presence following the fire and chaos. Or – at the very least – a Whitney. I needed somewhere that no one would try to stop me or find me soon enough afterward that my life could be saved. Where does that leave? You can’t go to a friends’ house. They’re not going to let you overdose and die. You can’t go really anyplace public; someone’s liable to see you and call 911.

Sun-Ray Cinema. Any other business, I’d be found, but Sun-Ray had a screening room with an entrance right by their front door. I could slip in without anyone even realizing I’d entered the building. And – in the back of that screening room – a bathroom that had only recently been renovated. This meant none of the customers even knew it was there. The only way anyone would find me in time is if an employee just happened to decide to use it in the short window that it would take me to do my shot and stop breathing. How many people were even on staff that day? Two? Three? And they’d almost certainly use the bathrooms in the main lobby or theater.

As recently as a few months prior, I’d considered Sun-Ray’s owner and proprietor one of my best friends. We’d had a falling out but – even still – I felt guilty pulling him, his wife/Sun-Ray partner, and their staff (some of whom I also considered friends) into my death. But it was the only viable option I could think of.

I got to the theater and snuck inside without issue. Once in the bathroom, I realized that my plan wasn’t quite as solid as I’d thought. The bathroom, of course, had a light. But unlike the lights in the main bathrooms, this one was kept off unless someone was using it. Even with the door shut, in the dark hall, it was clear when the light in the bathroom was on. Still, it was rare for anyone to come back there at all. It was in a hallway behind a curtain in the back of the screening room. The only other thing off the hall was a small office that only needed to be accessed briefly when a movie was set to begin. I hoped that the next showing was still a ways off or that – even if it weren’t – that no one would think anything of the bathroom light being left on.

I gulped down as much alcohol as I could stand. (Turns out it was a Sunday and the liquor stores were closed, so I’d had to settle for the highest ABV thing I could find: a bottle of wine). Even still, with the amount of Xanax in my system, I figured even wine should be enough to kill me. (Alcohol and Xanax are a surprisingly lethal combination). Next, I prepped my shot with enough heroin (actually, fentanyl) to kill god-knows-how-many regular people (and still ten times even my regular dose). I found a vein and pushed the plunger down the barrel. I picked the bottle back up and started chugging as the dope made its way through my bloodstream.

It was only a matter of seconds before I’d lose consciousness and it seemed no one had noticed the light being on yet. Certainly no one had knocked. I was set. Even if someone came along now, it was doubtful they’d act with any sense of urgency. By the time they realized the door was locked from the inside, found the key, and come back, I’d be dead.


It was three or four days later when I woke up in the hospital with no memory of what had happened after I’d injected in the Sun-Ray bathroom. (To this day, I don’t know). In any case, it must be that I didn’t write a suicide note, because there was no psychiatric hold on me. I was treated like just another accidental overdose patient. As soon as I was able to stand, they were processing my discharge. I made some phone calls from the hospital phone. Wallis, Whitney – and I think Tim and Shana at Sun-Ray. I don’t really remember. Within the hour though, I was back out on the street, borrowing a stranger’s phone, and calling my dealer.


This painting was started after I got clean, interrupted by my second relapse, and then finished in Round 3 (2019). The overdose which inspired its title, however, happened all the way back in 2016. I’ve not been excited to tell the story – hence the delay.

Several small-print journals in the painting don’t strike me as terribly important or interesting at this point in time. In the bottom left though, it says: “Sometimes I bumout about being such a fuck-up, but – if I weren’t – I wouldn’t be able to make (authentic) rad shit like this painting.”

I’m not sure that that quite balances out but – I am who I am. My history is just that – it’s happened. Nothing will change what I’ve put myself, or anyone else, through.

Though in case it doesn’t go without saying – intentionally ridiculous title aside – I really am, genuinely, very SORRY FOR OVERDOSING IN YOUR BATHROOM. I imagine, at the time, it came across as an act of spite, but it really was merely an act of desperation. It had nothing to do with you; yours was just the place where I felt I had the best chance. And probably, in some twisted sense, where I felt safest. I’m sorry that I, very selfishly, let that outweigh what should have been my consideration for your welfare.

And the same goes to anyone else I’ve ever put in a similar position, only to then mine that trauma for humor or insight, for the sake of art. I work with a LIMITED PALETTE, trying to make the most of what I’ve got and spin it into something better.

It’s kind of all I know how to do.

I hope you (still) like it.


This painting was sold years ago but there are 12×12-inch prints on sale in the webstore while supplies last. Buy one and you’ll be funding my continued existence, artwork, and writing for at least two more days!


Merry Christmas 2K12 (and 2K13)

I forget how it came up, but I found myself in rehab, defending some view as not being illegitimate or immoral. Something to do with property and how this world has enough for everyone to have everything that they need. But how people get scared, their fear morphs into greed, and they feel like they need to hoard wealth or resources to the detriment of others. One way or another, we got to that thing from the Beatitudes where Jesus says it’s easier for a camel to pass through the eye of a needle than it is for a rich man to enter the gates of heaven. And from there, “For God so loved the world, he gave his only begotten son to burn the banks to the fucking ground and drink the blood of the rich” popped into my head – which I, of course, thought was hilarious. And I immediately started jokingly trying to recruit my fellow inpatients for a crusade to burn down the banks and – you know – drink the blood of the rich.

The next day, in expressive art therapy group, we were told that the theme was Christmas (it was December 22nd). “Not really Christmas though – just in terms of birth or re-birth – just as a metaphor.” Everyone else in the group kind of ignored that. We produced a lot of paintings of Christmas trees and Santa Claus that day. I – predictably – went really literal with it though. I started painting myself being born (fully grown and clothed). And not so much being born, as much as pulling myself out of a woman’s birth canal. (The distinction is that birth wasn’t “happening” to me, I was taking the action). I thought that was pretty great given my circumstances. Recovery or rehabilitation weren’t happening to me – I was making them happen. I was bringing them about. Doing the work to get better.

And then it occurred to me that the “For God so loved the world…” thing that I had come up with the day before would be PERFECT for this painting. It was supposed to be about Christmas, right? The celebration of the birth of Christ. And while I had intended for the character in the painting to be me (and – no – I don’t think I’m the messiah) adding the caption would make this a depiction of what must be the second coming of Christ. When he comes back as a lion instead of a lamb. Lion Christ just might be the kind of guy that WOULD burn the banks to the fucking ground and drink the blood of the rich, the greedy, and the selfish. After all, Jesus never spoke ill of homosexuals or [whoever evangelists are bummed out about these days] but he sure as fuck had a distaste for the rich.

So this may sound absurd, but this painting, the little things leading up to it, and the process itself.. this was a spiritual experience for me. No offense to any of my peers, but they all painted Christmas trees and (by their own admission in group that day) didn’t get much out of it, so this assignment/prompt MUST have been for my benefit. And the way that it all panned out – what I chose to paint without even thinking of the previous day – and then remembering it at just the right time – this was all predestined. Similarly, back when I was told that I needed to have some kind of faith – that I’d need to believe in some kind of higher power if I ever wanted to get better and stop shooting heroin – the first belief I adopted (albeit sarcastically) was that “my higher power thinks I’m fucking hilarious“; if this whole episode isn’t proof of that, then I don’t know what is. The universe really brought it all together for me this time around.

"Merry Christmas 2K12." 12/22/13. Acrylics and pen. 9x12".
“Merry Christmas 2K12.” 12/22/13. Acrylics and pen. 9×12″.

HISTORICAL note!: Our art therapy counselor brought us acrylic paint and canvas boards as a Christmas present, so this was my first time using “real” art supplies. (Normally we used cheap paper and tempera/poster-paint). And I kinda can’t mention that counselor without saying something else…

Even when everyone else thought that “something might need to be done” about the kind of stuff I was turning out in art group, Julie stuck up for me and insisted that I be allowed (and encouraged) to create whatever I was feeling. It’s so much more than entirely possible that – were it not for Julie – what little enjoyment I got out of those early art groups might have been snuffed out. Had that been the case, there’s no way in hell that you’d be reading this right now because this website (and all of these pieces) wouldn’t even exist. And It’s not quite as certain, but it’s extremely likely that I’d either still be shooting heroin or dead. A lot of people and factors played into my recovery but the one piece that I’m almost positive is totally crucial is art. And Julie gets total credit for that. (With an assist from my friend (and fellow inpatient) Mary Beth, who was also a huge source of encouragement in the early stages of the game.

And so long as I’m going on tangents: After I finished this painting, as I was carrying it from group to my room, one of the property techs stopped and asked me if he could see what I had made. Staff aren’t really supposed to be “friends” with patients/clients, but I definitely considered Kenny a friend and (as a Christian) I was afraid this would bum him out. But I showed it to him and he surprised me. He knew exactly what I was going for, got the joke, told me it was actually a really Christian sentiment, and even gave me the [call number or whatever it’s called] for a verse of scripture. That sort of reaffirmed my faith in humanity that day. It was really awesome.

By the way, that movie I was cast in over the summer… the production designer saw this painting and asked if I could redraw it so that it could be screened onto a t-shirt for my character to wear. So I did!

"Merry Christmas 2K13." 7/2/13. Digital. 12x18".
“Merry Christmas 2K13.” 7/2/13. Digital. 12×18″.

A lot of what you’ve just read was written a few months back. Some of it is even older than that. The word “predestined” jumps off the page at me. Do I really believe in such a concept? I don’t know. I’m tempted to say “not really.” I’ll say this though… on December 22nd, back when all of this was happening… when I say, “this was a spiritual experience for me”, I mean it. Did I believe anything was predetermined earlier that day? No. Did I believe it in that moment? Again – I don’t really know. But I know that I was having fun acting as if I did… This really struck me as too perfect to be random (it just felt too excellent) but … eh… Well, like I sort of said: this was the best evidence I had ever seen that [to borrow from Andrew Jackson Jihad] “my god thinks my jokes are funny.” And it was all great fodder as I explained the cartoon/painting/sentiment to the patients and staff that were giving me funny looks. So I was having a lot of fun with it. So far as my real (confident) beliefs go… – only what I laid out in my entry for “Everything Works Out Exactly As It Should.”

Anyway, here’s a song that I was listening to a lot around the time this was painted.

Here’s a song that strikes me as otherwise relevant.

This painting is still available for purchase. As are an incredibly limited number of t-shirts. And – as with all of my art – either version of the image can be purchased as a signed, numbered, and framed print/poster.