Uncertainty

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That feeling when you get to the grocery store, unaware of anything that you’ve done wrong, yet the one person who’s supposed to love you, is very clearly feeling anything but love for you. So you withdraw and stop trying, only to have her take out the car keys and say she’d just rather go home. And since the idea of going back to your “home” with this person, who clearly has no degree of affection for you, sounds about as appealing/energizing as … its not an exciting prospect. So you walk back to the car with her, grab your bag, smoke a cigarette in the parking lot as she drives away, and then start wandering in the general direction that your *current* residence is. But you look down a side street and see the water. And it strikes you that maybe the best course of action is to just sit on the ledge with your feet resting on a rusted out sewer pipe just above the water’s surface.

This isn’t anything I’ve ever experienced, but it seems like something a lot of other people might be able to relate to.
[end sarcasm]
When I’m away, she’s terribly in love with me, can’t stand to be away from me, and can’t wait to see me. And once I’m back, she’s just frustrated with me almost all of the time. For no reason. Or at least not one that she’s willing to share with me or address in any way.
I meet with mental health professionals twice a week. I might not be the poster boy for wellness, but I think I’ve achieved some level of awareness and I think I do a pretty good job at expressing myself, my feelings, and my needs.
She, on the other hand, won’t talk to me about shit.
What am I doing here? Why are we a couple? Why are we living together?
Maybe it was naive to think that the first girl I got involved with at the end of my two years in and out of inpatient treatment would be the one for me.
Or maybe it can work.
I don’t know, but this is a bummer.
Did I mention that it’s raining?
uncertainty
“Uncertainty.” 7/29/31. Acrylics and Ink. 16×20″ stretched canvas.
Painted two days ago, at a time when I was feeling pretty disconnected. The only thing that I could recognize when I was painting it was the way i felt so in love with her every time I looked at her.

My Year in Review

On September 10th, 2012, I was still in my first month at Tranquil Shores and (surprise!) was not having the best day. In that morning’s group, we each had to come up with a question to ask and then we had to draw an “animal card.” Each one had some quality on it and some relatively generic mental health stuff that we would then, as a group, figure out how to apply to our question. I was emotionally exhausted. Playing with animal cards was not at the top of my “things I’m excited to do” list. I asked my question – “Why do I even try?” – and drew a card. It was a turtle. And in bold letters at the top of the card it said, “STOP TRYING.”

Two and a half months later, I went into art therapy group. The theme for the week was emotional and spiritual healing. For some reason, I had the turtle in my head. I forget the context but, before we started, Marcia said something about “having yourself [over] for dinner.” Because my brain receives all messages through a pop punk filter, I immediately thought of a Turkish Techno lyric, “I wanna eat you so I can shit you out.”

Turtles and fertility, the new year just days away, spiritual healing, and eating/shitting people. That’s where I was coming from.

myyearinreview
“My Year in Review.” December 28th, 2012. Colored pencil with ink outline. 9×14½”.

The idea is sort of two-fold. First, that I had been destroying myself for (at least) the last two years. Second, that I was going to take all of the bad in me and transform it into something new and better. Or – in a metaphorical sense – eat it and shit it out so that it could grow into something better. (Look at my shirt – it has the word “soil” on it).

So why did I choose my flesh to represent the “bad parts” of myself? Eh, I didn’t really. I’m just fucking fascinated with krokodil and I like to throw in an allusion to it every chance that I get.

Obviously, in this instance the turtle stood in as symbol of fertility rather than retreat, but I also thought it was appropriate as a symbol of the walls I had put up to protect myself, as well as the slow speed at which I had been getting better. (Even though I had checked into rehab more than a year prior, I made this piece just sixteen days after what I consider to be the turning point in my recovery).

I chose to draw a stage as the backdrop as an acknowledgement that much of 2012 had been a performance of one kind or another. I had a script memorized and I turned to it often.

Fun fact: I remember holding my arm up to my mouth every so often while drawing this so I could figure out which pieces of it I could conceivably chew off.  Obviously I can’t bite the flesh directly off of my face, but I chose to have half of it missing to create a sort of two-face thing in reference to my mask, which (in terms of emotional healing) had been really significant for me.


I Am Not As Interesting As I Think I Am

Somehow, at the end of my ride home, the perfect song always seems to come up to remind me that life is spectacular. Tonight it was “Why’d You Walk Away?” by The Potential Johns.

Here’s the first real break in the chronology. I spent between four and five hours painting it earlier tonight.

"I Am Not As Interesting As I Think I Am." 7/27/13. Acrylics and ink. 16x20".
“I Am Not As Interesting As I Think I Am.” 7/27/13. Acrylics and ink. 16×20″.

As I mentioned earlier, I had been stressing out about this site. Heather asked me the other day what I was trying to get out of it. “Money and attention,” I told her. And then I backpedaled because I was really thrown by my answer. And then I was just sort of confused. Was that really what I was after? If so, what the fuck was wrong with me?

Tonight I realized that nothing’s wrong with me – well, not that anyway. That is the purpose of this site and I’m totally okay with that. Because that’s NOT the purpose of the content, just the site itself. My journals (both while in treatment and today) aren’t something that I write for money or attention. They’re usually the product of intense psychic trauma that I’m trying to get rid of – especially these days. In treatment, I tried to journal every day just for its own sake. Lately, I really only journal when I’m incredibly stressed out and need to get some shit out of my head and in front of my eyes. Similarly, my artwork is all about emotional balance. I make it because it’s what I have to do in order to stay sane. When I don’t make it, I start stressing out about stupid shit (like this website).

But I don’t need to share any of this stuff publicly, on the internet, in order to be well. I do it because I was encouraged by counselors and peers to dedicate as much of my time as possible to doing these creative things and to see if I could find a way to use the products of that time to support myself as well. I was told that the things I was making had value to other people and I decided to put myself out there and see what would happen. Thus far, the return I’ve gotten on that emotional risk has been incredible in just about every sense. It’s true that – since this site has launched – I haven’t gotten a ton of feedback, but we’re only talking about five days. I can’t even count how many people have reached out to me because of the things I’ve put out there prior to this week. I can hardly comprehend the amount of love and support people have shown me as a result of all of this.

The site is about marketing in a sense and so it’s disappointing when I’m not selling anything or getting as much attention as I’ve become accustomed to, but that’s some bullshit on my part. I need to remember to be grateful for all that I have received. I also need to remember to be humble. Posting old journal entries from when I first got into treatment… there may be some value to it, but it’s probably not quite as fascinating to read as I initially thought it might be. Which leads me to the most important point – that I need to remember to honor myself with honest self-expression. Yesterday has happened. What matters is today. What matters is how I’m feeling, how I’m doing, and what I’m doing today. And today, I’m back to focusing on the process of creating art, rather than what might come of it down the road.

 

Psst… If you notice any weird lines in the image, it’s ’cause I had to use a low-resolution camera and I pieced together a few close-up photographs. (I’ll replace it with a better photo once I’m able).

Bonus! Remember when I was talking about “Why’d You Walk Away” by The Potential Johns?

(And if you don’t already have it, go pick up their most recent 7-inch, which has maybe my favorite Potential Johns song ever).

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  • Signed 12×15″ prints of “I Am Not As Interesting As I Think I Am” are available in my webstore.
  • If you’re interested in purchasing the original painting, feel free to contact me.

Fifteen Alligators

I might not like my earliest art, but I think I like the chronological approach to this blog/gallery so here’s number two.

"Fifteen Alligators." August 22nd, 2012. Oil pastels on scrap paper. 9x12".

“Fifteen Alligators.” August 22nd, 2012. Oil pastels on scrap paper. 9×12″.

Here’s how my first art group worked: we paired up, each person had a turn to talk, and each person drew something in relation to what they talked about as well as what their partner talked about. I drew “Kicking Dirt” after my partner talked and “Fifteen Alligators” after I talked. Neither has anything to do with the conversation. And all I remember about the conversation was being really weirded out by my partner’s facial expression while he was listening to whatever it was that I had to say that afternoon. He looked super attentive. Like – to such an extent that it seemed exaggerated. Maybe it wasn’t; maybe it was just new to me. I don’t know, but as you’ll see from this next journal excerpt, my perception (and, more generally, thinking) wasn’t exactly top-notch at this point.

The following is part of the same entry (from 8/19/12) that I excerpted for my first post. In fact, it starts exactly where I chose to let the last except end. Keep in mind that I wrote these with the intention of never sharing them with anyone. So a lot of this stuff is… Well, I’m not comfortable with it. Part of me thinks that posting these is a waste of time and that they’re totally uninteresting, but part of me thinks that they might have value insofar as they really are totally raw, very private journals from a very vulnerable/confused time in my life.

A quick note: Since I never intended to share these, I wrote things that I have no right saying to anybody (you know – stuff about other people… people that aren’t me). So before I get to any of that stuff, I decided today that I should start replacing all the names of people that I referred to in these journals, even if I only mentioned them casually / innocuously. That seems like a responsible thing to do, right?

Tranquil Shores journal. First entry (cont’d).
August 19th, 2012. Sunday. Around 5:30 am.

I’ve been staring at the wall, lost in dumb thoughts for fifteen minutes now.

Sophie said she thinks I’ll pick up another rehab girlfriend. Does she not realize she’d be my only prospect? Or does she think I’d go for someone like Elizabeth? I don’t think there’s even a third option. In any case, I told her I’ve got no intention. That’s what fucked me up both at Hazelden and at Wellness. Plus she’s leaving soon. And she’s a twenty-two year-old mess who still texts with two addict ex-boyfriends and who think she can be in recovery and still go back to selling weed… which she says she gets in forty-pound bundles from Hawaii, California, and Colorado… which – as anyone who’s spoken to her for even a moment can tell – is an outright lie. So basically, she’s a mess. Fuck. I kind of like it. It’s so funny when she “worries” about other people. Kid, you’re fucked – worry about yourself. Or wait… am I doing the same thing? I think it’s different insofar as I say, “so-and-so’s fucked,” not “I’m worried about ____.” And I perpetually acknowledge just how fucked I am. Fifteen percent of addicts recover! Or is that five percent? Let’s say “five to fifteen.” That’ll be the new tagline.

I wanna play my bass and rip off that Unfun song. “Society/Friends.”
I also don’t wanna get up.
And I’m still about to shit the bed.
“And that’s not so cool.” (!)

Read philosophy last night. Nietzche and Schopenhauer. Sadly, Shopenhauer had the more lovable, relatable material for me right now. Plus he didn’t lose his fucking mind 44 years in. What stood out to me: lowered expectations. The world does not have a great deal to offer us and happiness is not guaranteed. Basically, FUCK “The Promises.” Drugs make life worse, but abstention doesn’t guarantee that it won’t still be terrible. People have difficult lives for a lot of reasons. Drugs are not the root of all evil. But are drugs the reason my life sucks? Ehhh, that’s the question. If “yes” then I guess I can overcome – and then move on to trying to overcome the next biggest reason my life is shy of ideal. Until I’m all out of reasons or until I get to one I can’t beat. I guess it’d only be rational to kill myself after an honest attempt at that process. “Rational” is the wrong word. The only “rational” thing to do is to kill myself right now. Unless I have some meaning or purpose to my life. Then I can choose to live. How long do I look? How long do I fight to overcome the terrors of my life? The “terrors of my life?” Those words just came out of me. God, I’m an asshole.

I wrote another entry a few hours later. It’s short.

Tranquil Shores journal.
August 19th, 2012. Sunday. 11:15 am.

I’m sitting in an AA meeting at the Indian Rocks town hall.

Happiness is a choice. That’s what Vivian said to me this morning (and what I used to say to other people, a long time ago). The problem (well, a problem) is that the choice seems to require shutting off your brain. Because you have to make the choice despite the lack of reason behind it. Or you need to find a reason. I’m not dead yet, so I guess I must have one. Should I (can I) make the choice?

 

It’s pretty tough for me to look at these old journal entries, but that probably means it’s good for me to do so anyway. One last thing: I was going to post this update earlier, but I had computer trouble. I went to a friend’s house to borrow a power adapter. On the ride back, almost home, I turned toward my street. The gates were down, the lights were flashing red, and a train was coming. I didn’t stop. I sped around the gates and over the tracks. At that moment, “High Fives” by Dear Landlord started playing in my headphones. And I don’t think I’ve ever felt better in my life.


Kicking Dirt

I want to have a place online to share my art and my writing. A place where it can be sorted, searched, and viewed easily. Ideally, this will function both as a blog and a gallery.

I’ve decided to start at the beginning and work my way to the present. When it comes to pieces about which I have nothing worthwhile to say, I’ve decided to post excerpts from my journals. Below is my first piece and first journal entry after arriving at Tranquil Shores in August 2012.

"Kicking Dirt"     8/22/12 Oil pastels on scrap paper 9x12"

“Kicking Dirt.”  August 22nd, 2012.  Oil pastels on scrap paper.  9×12″.

This was my first piece from expressive art therapy group. I was on Suboxone. My last shot of heroin had been five days prior. I had been forced to participate in art groups at other rehabs and I wasn’t happy that it was happening again.

Tranquil Shores journal. First entry.
August 19th, 2012. Sunday. 4:43 am.
It’s been thirty-seven hours since I checked in at Tranquil Shores. My third treatment facility. After getting kicked out of Wellness – and the five month disaster that followed – I was pretty sure I’d never go to rehab again. But things have been too desperate. The last few days, all I did was shoot up, cry, and think about dying. I wanted to die, but I was scared. In my head, I used Riley’s suicide as an excuse to not kill myself. I told myself that I can’t put Elena through two suicides in two months.

I still thought about killing myself a lot today. In retrospect, that’s what got me Baker Acted when they kicked me out of Hazelden. It didn’t matter how cool I was that day, there had been too many blinking red lights leading up to it. It was a liability thing. I need to word my discontent more carefully this go-around. But I would overdose if given the opportunity. I’m too scared to do anything that isn’t failsafe.

My withdrawal symptoms are next to nothing so far, but I’m pretty sure that if I don’t get up soon, I’m going to shit the bed. The diarrhea’s been a constant.

I’m giving up on getting back down to 135 pounds. I’ll be happy if I can get down to 145.

I got my record player and some records out of storage before I checked in. I have my own room right now and it’s nice, sitting in here, not having to worry about getting heroin, and just spinning records. They even let me put my Traffic Street posters up on the wall. I’m like a dumb animal driven by a compulsion to mark my territory. God forbid someone comes in here and doesn’t immediately know just how punk I am. Speaking of which, I stupidly put a red blotch and pink streaks in my hair last night. No one was talking to me at the smoking table so I went upstairs. Thought of it, did it, and went back down because, apparently, I’m just that starved for attention. What the fuck is wrong with me? It looks really dumb. Just like me!

I’m pretty sure Elena threw out my letters from Candice. (She was pretty mad when that car she loaned me back in Miami was stolen in a bad drug deal). I wonder what she – I mean Candice – thinks of me (of us) right now. I wonder what I think of us. Do I actually care about her or was our dependence on each other pretty much the same as our dependence on heroin? And how about Elena (and Mark)? I stole sixty dollars from the drawer at the dealership on Thursday. Fuck. I’m awful. How do I face that? I don’t want to have to face that.