Give Me Money and Praise

"Give Me Money and Praise." 2/24/13. Acrylic paint and ink on cardboard. 14x6".
“Give Me Money and Praise.” 2/24/13. Acrylic paint and ink on cardboard. 14×6″.

I made this on the day that I first tried to sell my artwork. It’s kind of embarrassing. Beneath the bolder caption  is some less legible text: “Fill your arms with paint. Sorry. I fill my arms with paint. Or I want to anyway. Um. Metaphorically. This thing is kind of cool. I guess it is what I thought it’d be. I feel selfish though. Like I’m not watching the other bands.”

Translation: Dumb phrase that sounds poetic. Apology for not speaking in the first person (as we’re taught in treatment). Analogy about using artwork in place of heroin to manage my anxiety. Craft Fest [in St. Pete] is kind of cool and about what I expected it to be. I haven’t looked at anything any of the other people are selling at their tables and I feel guilty in the same way I might if I were playing a show and didn’t go inside to watch any of the bands before/after my own.

I felt weird about all of that so I decided to just write out my bluntest, most human feelings on top of it: “Give me money and praise and I’ll give you this.”

"Beachtown Graffiti." 2/14/13. Mixed media. 33x13".

Fun facts: On that first day, I did sell a few pieces: Why I Fail, Clarity, and – my favorite at the time – Beachtown Grafitti. A few others too. I do okay, huh?

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Status Update (December 12, 2013)

“Snowflakes Anonymous.” 11/22/13. Acrylic, watercolor, and spray paints, food coloring, markers, pen, resin sand, cardboard and EBT card – on 24×30″ stretched canvas.

Alex and I went to go see the “Everything is Terrible” holiday show at Sun-Ray tonight. When we walked out of the theater, there was a big gaping hole on the wall where one of my paintings once hung. I asked what happened and was handed an envelope with more money in it than I’ve ever been given for a single painting. Somebody bought it right on the spot and gave instructions to tell me that I’m “an international artist now” because it’s going in their home in Paris. So that’s pretty fucking awesome. And (like Beachtown Grafitti) – at the time of this one’s sale – it was also my favorite: Snowflakes Anonymous.

I’m really wrapped up in a “project” right now that’s costing me a lot of money and won’t pay anything (it’s not for me – it’s for some people that I care about). I was stressing about it earlier today but just told myself that it’s a nice thing to do and I don’t need to get all nervous because I like to believe that things will always work out when I’m making good, positive choices. And then this happened tonight so… Life’s kinda cool, right?

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Here’s a song that’s rad as fuck.

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Numbered, signed, and sealed Give Me Money and Praise prints are available in my webstore. If you’re interested in purchasing the original, get in touch.


Moving Boxes (and Little Else)

"Moving Boxes (and Little Else)." 5/24/13. Tempera and pen on paper. 12x16".
“Moving Boxes (and Little Else).” 5/24/13. Tempera and pen on paper. 12×16″.

She might be scared, but that has nothing to do with me, my choices, my attitude, or my … how I’ve been.
I’m ambitious and I have confidence but moving out starts the ticking of the clock. It sets the deadline for my success or the date of my failure. Not moving out is what I’m comfortable with. But how long is it okay for me to stall intimate relationships so that I can enjoy myself (and do the things I want to without worry)?
Is it okay for me to be okay? Complacency. Fear. Priorities. GROWING UP. I understand far less than I let on. Strange that someone with all the answers in interactions has nothing but questions when alone.

That’s the text within this piece – painted in my Friday expressive art therapy group at Tranquil Shores. It was getting closer to the time Heather and I had talked about picking up and moving to Jacksonville. We were bickering a lot. I had asked her what was really going on. When she failed to come up with anything, I suggested that maybe she was scared about moving to a new city. After all, it wasn’t me. I’m itinerant! I’m punk! All we do is move. We have no roots. “I don’t live anywhere!” She, on the other hand, had never moved to a new city before so she was scared and that was making her irritable. Obviously.

But this was expressive art therapy and (in therapy) we don’t look at what’s wrong with other people, we look at ourselves. So that’s what I tried to do as I painted and – when I started writing – all of this suddenly came out of me.

God dammit. It was totally me. I was terrified. If I moved to Jacksonville with Heather, I’d suddenly be responsible for rent and utilities and who knows what else. I had been out of (inpatient) treatment for three months and thus far was doing great. I was supporting myself without having to give in to reality and get a real job. (Which – in hindsight – I realize may not have been all that impressive a feat considering that I had absolutely no bills to pay). But if I moved to Jacksonville and came up short on money for bills one month, all of a sudden, I’d have to admit that I was wrong. I’d have to get a job and acknowledge that I couldn’t support myself creatively…

Maybe I should just break it off and stay in Bradenton and live with Taylor’s family forever…? I don’t need a girlfriend or to be an adult or…

God dammit.

“Moving boxes and little else” is an acknowledgment that I had moved more times than I could count but was terrified to move forward.

But I did! And – so far – so good.

This piece is important to me because the process of creating it really was revelatory. I had spend a lot time thinking about this stuff and had gotten nowhere. After I made this piece, the bickering between Heather and I stopped completely. It’s pretty remarkable how much garbage sometimes lurks just below the surface (and how badly it can fuck me up). This piece is proof that art is essential to the maintenance of my mental health.

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Here’s the song I quoted in this entry. It’s from the new Dead Mechanical album out soon on Toxic Pop (who split released the last DM full-length with Traffic Street (that’s my label, you guys!)) When I lived in DC, I spent a lot of time in Baltimore. When I wasn’t copping or shooting heroin, I was usually at a Dead Mechanical show. (Sometimes both!) But getting to see them play all the time was definitely one of the best things about living up there.

Here’s another song from the same record. Just ’cause.

Hit the Toxic Pop website to check out the album art (by Julie Benoit!) and pre-order the LP, which starts shipping next week. (I know the site says that it starts shipping in early August, but Mike (Toxic Pop) sent out an update changing the shipping date due to delays at the pressing plant).

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This painting is currently for sale. Or – if you’re not a big spender – you can pick up a signed and framed (behind glass) print/poster that’s the same size as the original.


Diazepam

Someone made the mistake of asking me to transport a bottle of diazepam for a friend. Sounds like trouble in river city!

diazepam
“Diazepam (My Hands Still Shake).” August 1st, 2013. Acrylics and ink. 10×10″ block of wood.

Those of you that followed my progress / story / artwork may remember that back in – oh, when was it – April (probably) I made a piece that addressed how it had become more difficult to be as thoroughly transparent about my feelings as it had been back when I was still living inside the walls of a treatment facility. I believe that I addressed it specifically in my piece, “Maybe I Don’t Believe in God.”

What very few of you know is that I have been compelled for reasons (somewhat) beyond my control to be even less honest in the last month or so. You see, sometimes the choices that I make have repercussions for people that are not… um… me. And that puts a person in a little bit of a moral/spiritual grey area. On the one hand, I want (maybe even need) to be “rigorously honest” (as they say in “the rooms”). But I live in a world where things can get a little complicated and I’ve allowed myself, recently, to slip into a pattern of lying by omission. I carry many of these lies today. Some of them, some of you are aware of. I have confided in you. Others, remain totally in the dark. Today, however, I am choosing to be fully honest. Here is how I spent my day.

I drank coffee, ate some breakfast, bullshitted around the apartment, ate some diazepam, ran some errands, dyed my hair, ate more diazepam, painted this picture, and then – without any real concern for the paints and painting adjacent to me on the couch, stretched out (lying on top of them), and took a nap for a while. And then I hung my stupid confession on the same wall that I’ve been hanging all my newest “works of art” on. My girlfriend came home (remember: silly as it may seem, since she’s my current girlfriend, I’m not using any real names on this website). From there, we mostly continued where we left off last night. Not talking to or really even acknowledging one another. I love her, she loves me. But things are not going well these last couple of days. Maybe it’s the fact that I’m FUCKING EATING DIAZEPAM. Or maybe that’s a symptom of the larger problem. Either way, I am not happy. And while I recognize that a lot of people are something less than happy a lot of the time, it’s not really something that I’m particularly great at. When I get unhappy, I sometimes begin to behave in ways that have a pretty good chance of fucking killing me. I’ve learned other ways to deal with that discontent, but my usual methods of feeling better are not working out so well for me lately. It’s not for a lack of trying. I’ve been painting like a motherfucker, I’ve seen a mental health counselor twice in the last four days, and I’ll see another on Saturday and another on Tuesday. Whatever the issue is… fuck if I know.

I am tentatively making plans to bail the fuck out of Jacksonville. I love this girl, but I don’t know if that’s enough. And maybe – just maybe – I’d be doing her a favor by leaving. It’s entirely possible that I am not cut out for sharing a life with another human being. My own mental illness is – sometimes – all that I can manage. Having to help someone else with their own… may be beyond my range of capability. It’s possible that I make a better friend than I make a boyfriend. Shit – just ask my last serious girlfriend – we’re doing great as friends! (Isn’t that right, [girl whose name I won’t use]?) It was probably selfish and fucked up of me to ever get involved in the first place. After all, she probably didn’t fully understand exactly what she would be getting herself into. And I certainly did my best, at the time, to convince her that all was well. I was healed, after all!

So, here’s the general game plan… I have way too much stuff and whether I leave or not, I feel like it’s time to slim the fuck down. All of my records, books, etc, are now for sale. And of course ALL OF MY ART IS FOR SALE. (PLEASE BUY SOME OF IT). Ignore the prices in the store. I will cut you a god damn deal.

One last note, as I wrote on Facebook earlier this evening…

Would it be fair to say that we’ve pretty much established that I have no problems when it comes to disclosing personal details of my life to the Internet at large?
Okay, cool. Glad we’re on the same page.
NOW… if something I’ve written means something to you and you wanna tell me about it… Awesome! I appreciate that kind of shit. It’s inspiring, encouraging, and totally welcome.
Similarly, if you’d like to share something *with me* about your own life that you think might be helpful… Awesome! That kind of feedback is also great and I really appreciate it!
BUT if you reach out to me just to ask for MORE details about what’s going on with me… If you have nothing to offer me and you just want the inside scoop for your own weird selfish (probably ego or gossip related reasons) well… feel free to fuck right off with that shit.
My life is hectic enough without having to play twenty questions with every asshole that wants a piece of me.
Love, Sam