So Smart I Got Life Lessons Dripping Out My Asshole

October 4, 2013

"I'm So Smart I Got Life Lessons Dripping Out My Asshole (Also: Charm) Pay Me (...?)" 2/16/13. Acrylics and resin sand on cardboard. 12x14".
“So Smart I Got Life Lessons Dripping Out My Asshole.” 2/16/13. Acrylics and resin sand on cardboard. 12×14″.

So smart I got life lessons dripping out my asshole (also: charm); pay me (…?)

Expressive art. Self-deprecating humor. The ninth painting of ten in my series, “The Weak End.” If you’re at all familiar with my work, you’ve already read everything that I could possibly say about this painting or the two days over which I worked on it.

I do, however, have a new (almost-finished) painting that will be featured here soon. In presenting it, there are three stories that I’ll want to share. Were I to include them all in a single entry, it’d be a little overwhelming. So…

—–

The true story of my afternoon on April 28, 2012.

We met in a treatment facility that we had both transferred to from others. It was from her previous rehab that she knew Bill. He wasn’t a patient of theirs, he was an employee. He had clean time. (Emphasis on had). He started using yesterday.

J had a habit of not counting his money until he was back in his car. We didn’t have any money, but if we could find someone to throw in a hundred, we could pad the twenties with small bills to make it look like as much as three. We called Bill and he met us with a hundred dollars cash.

We had shorted J before but only by twenty or thirty and we’d always eventually (sort of) paid in full. In any case, we bought from him everyday. We were junkies; he knew we weren’t going anywhere.

I made the call and with her by my side and Bill in the backseat, we met up with J. As soon as we made the hand-off,  I put the car in gear and drove off as quickly as I could without raising suspicion – but it’d only be a matter of time before he sat down and counted that money. He called within a minute. I had (I thought, slyly) taken a residential street so that he wouldn’t see us in traffic, but before I knew it, he was there. He slid around us, cut off our path, and was out of the car. I floored it in reverse, struggling to keep the car from backing into any of the others parked on the narrow street. He chased after us and almost grabbed hold of me through the window when I swung the car out into the intersection and into drive. His girlfriend had taken the wheel when he got out and she picked him up. They were right on us immediately and we proceeded to play bumper cars across the streets of Delray Beach, running every red light, driving on the wrong side of the roads. Our car was already beat up but his was really nice. Or had been earlier that day anyway.

As soon as J was back in the car, he was back on the phone. As we swerved around and into each other, I tried to reason with him. “It’s only two hundred dollars. Report the damage as a hit and run and turn it in to your insurance. This isn’t worth it.”

“This car isn’t insured or registered. It’s not even my plate. You owe me a lot of money – and the dope – and I’m beating the shit out of you.”

“I’ll get you money later in the week but I’m not giving the drugs back so you might as well give up now.”

I got us to the on ramp for I-95, but  our car was old and slow. We didn’t stand a chance at outrunning him. Smashing the fuck out of his car hadn’t deterred him so I had to get creative. I swerved around other cars, trying to lead J into an accident that might actually slow him down.

“I’m gonna flip your car and kill you,” he said.

“That’s the only way you’re getting the drugs back. Chalk it up as a loss and give up before it gets any worse.” I was pretty bold for someone shaking so badly.

I tried a new technique: slamming on the brakes to take us from 90 mph to a dead stop in the middle of the interstate – counting on the cars around us to prevent J from doing the same. After a couple stalemates, where he pulled onto the shoulder up ahead to wait, knowing we had no option but to start driving again, I started to lose hope. How had we not passed a cop yet? How many other drivers must have called this demolition derby in by now? It was only a matter of time before this all ended very badly – one way or another. And my fucking fuel light was on.

“My boys are getting on at Lantana and are gonna light you the fuck up. You and your girl are as good as dead.”

I guess he didn’t notice that we also had Bill in the back seat. (Quite an experience for someone so freshly off the wagon, huh?)

Eventually, somehow, I was able to lose him. After an exit, I tore across two lanes and into the grass back toward the off-ramp at the last possible second when I’d be able to do so and J wouldn’t without losing sight of us for long enough for us to turn and leave him guessing which way we had gone.

J didn’t follow and when I got to the first red light that I wouldn’t be running that afternoon, I eased into a stop with a police car right next to me. My headlight was dragging on the street in front of the car. The front bumper was partially detached and the back bumper was smashed in. The light turned green and the distance between us and the cop increased until I was able to exhale.

And then I laughed. We all laughed. A lot. It wasn’t funny but it was amazing in its way. As fucked up as all of it is in hindsight, in that moment we were triumphant and I was a hero. (Nothing could be further from the truth, of course, but it felt that way). We had no right to be alive. It defied all logic that we were driving away, unscathed and with heroin. I dropped Bill off at his car and drove back to the trailer park where she and I were renting a windowless room with no door to the outside. I left the car at the opposite end of the park and we got out to walk. We lived at the entrance of the park and J’s house was only a mile down the road; I didn’t want to run the risk were he to go out looking for us.

We walked into the trailer, into our room, shut the door, and shot up. I don’t remember anything that happened after that, but the next day, we packed our shit to leave for Miami.

—–

“The Weak End” series:

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  • 11×13″ prints of this piece are for sale in my webstore.

Satellite Photography

September 30, 2013

"Satellite Photography." 2/16/13. Acrylic paint on cardboard.
“Satellite Photography.” 2/16/13. Acrylic paint on cardboard.

I didn’t go to church as a kid, but I remember a friend once telling me about something he had heard at church that Sunday. “They said that a satellite took a picture from really far away of what they think might actually be heaven.”

I’m terrified of judgment when it comes to my spirituality or my ideas about God. I’ve had so much animosity built up around religion for so long that I get really nervous and defensive about it. (See: “Evil” / “Maybe I Don’t Believe in God”).

But I pray. Or – rather – I try to pray. Sometimes. I’m not praying to someone that can be photographed from outer space though. For me, prayer is an exercise that’s its own reward. When I pray, it’s never for myself. I only pray for other people because – in doing so – I think about them. (“Portraits of God, Nothing, and Fear”).

Most days, I isolate and tell myself that my activities through my website (and online generally) are enough sociality. Living in my little bubble of self, it’s really easy to get wrapped up in my own nonsense, problems, or [whatever]. Prayer is one way of forcing myself to remember other people in a way that affects me more than a “like” on a Facebook post. It feels good to break out of myself now and then. And it’ll usually motivate me to reach out and connect with a friend in a way that feels a little more meaningful than I might otherwise.

—–

“The Weak End” is a series of ten paintings.

—–

8½x12” prints are available in my webstore.

Values Are For Shoppers, I’m For Giving Up

September 29, 2013

"Values are For Shoppers." 12/3/12. Marker. 7½x9½”.
“Values are For Shoppers, I’m For Giving Up.” 12/3/12. Marker. 7½x9½”.

Core beliefs are the things we believe about ourselves that guide and influence all of our behavior. This week’s spirituality group assignment at Tranquil Shores was to list ten core beliefs. I did it on the same page on which I was also scribbling (and using to write notes to the girl sitting next to me).

  1. I am ugly.
  2. I am a problem.
  3. My perceptions are wrong.
  4. I am smart.
  5. I am only tolerated.
  6. I am almost good enough.
  7. I’m not like other people.
  8. Nothing lasts.
  9. I lose.
  10. Nothing matters.

—–

Number three might not actually be a core belief as much as it was a new belief that had been developing in response to everyone telling me how wrong I was (when it came to my core beliefs).Number four is the one positive item on the list. Number six was misinterpreted by someone in the group as positive but “I’m almost good enough” is an acknowledgment that I might not be thoroughly awful (when it comes to [insert anything here]) but I’m not good enough to actually succeed. Which is maybe even more frustrating because it puts me in the position to think that I might succeed “one of these times.” It keeps me going and sets me up for more disappointment. [What I failed to recognize up to this point in my life was that I had succeeded many times at many things: I have a fucking law degree from Georgetown! I released records by some of my favorite bands! I’ve done all kinds of cool shit in my lifetime].

Number ten is my favorite because it’s the one item that I held on to – but spun in such a way that (rather than eat away at my fucking soul) it frees me.

That sounds lame and I’m okay with that.

—–

After we wrapped up core beliefs, we were told to make a list of core values. Values are inherently positive though. And having just reviewed my ten core beliefs, I was emotionally drained and feeling sick to my stomach. In that state, I wasn’t about to acknowledge anything even remotely positive. Not to mention that – while I knew what my core beliefs were without even having to think about it –  “my values?” … That was a little trickier.

“Values are for shoppers,” I wrote.

Because I think I’m clever.

And because I was scared to go there.

—–

I Believe in The Promises

September 26, 2013

"I Believe in The Promises." 12/11/12. Pen. 3x3".
“I Believe in The Promises.” 12/11/12. Pen. 3×3″.

“The Promises” is a passage in the Alcoholics Anonymous text. Don’t quote me on this, but it’s something like: “If we are painstaking about this phase of our development, we will be amazed before we are halfway through, we will know a new freedom and a new happiness, fear of people and of economic insecurity will leave us, the dog will stop peeing on the futon and pulling snotty tissue out of the garbage can.”

 In early recovery, I hated The Promises. It just read like bullshit to me. I drew this cartoon while sitting in an Alcoholics Anonymous meeting. It’s just some snarky bullshit—I’m crazy, I feel like I’ve got a boot to my head crushing my skull into the ground, but – oh yeah, sure – I believe in The Promises!

I had been off heroin for about four months, trying in earnest to do everything I could to get better, but there was resistance in me that I couldn’t shake; it was keeping me from really moving forward. This cartoon is from the week when that would finally change though.

—–

Evil

September 23, 2013

"Evil." 11/1/12. Pen. 8½x11".“Evil.” 11/1/12. Pen. 8½x11″.

I didn’t like Spirituality Group because I didn’t have any spirituality. But it was Thursday afternoon at Tranquil Shores so that’s what was happening. I was especially miserable on this particular day and it got worse as group went on. Toward the end, we were given an assignment: Write a letter of forgiveness (to yourself) and share it with the group. I wouldn’t share but I kind of wrote the letter.

Dear Sam,
You are a total fucking shithead. You gave up on everything a long time ago. Though you sometimes have brief moments of optimism, they’re few, far between, and extremely short-lived. Everything you say is calculated and contrived. You may be the most dishonest asshole to ever walk the earth.
I’d like to forgive you on the grounds that you’re doing the best you can – that you can’t help but be a miserable little prick – but even that’s not true. If you wanted to be a better person, you would be.
And you’re not even nice to look at! How have you not been choked out yet? People can’t stand the fucking sight of you. Even your voice is outrageously obnoxious. Every day that you continue to live is either a slight against God or proof that he doesn’t exist – or at least doesn’t care about anything anymore. Or maybe you’re the new plague for the twenty-first century! Sent down to punish this wretched world gone awry. Only YOU are deluded enough to (even jokingly) attribute that kind of significance to your stupid presence.
All I know is that people, and the planet, would be better off without you around. Please kill yourself now.
Unfortunately, time has shown that you’re too weak to even bust that move. Seeing as you’re too pathetic to even express in words (given the limitations of human languages) I’ll forgive you. It’s a pity thing. It must be hard to be so worthless and rotten. Besides, I’m not one to hold grudges. I just hope that you’re somehow miraculously transformed or that – somewhere out there – there is some kind of hell for you to burn in one day.
Love, Sam

As a kid, I’d always said that I didn’t believe in God. Sometime in my early twenties, my position went even further. I wasn’t willing to identify with atheism because I didn’t want to stake any claim — and because I didn’t want to identify with atheists (who often seemed as righteous and fanatical as the worst evangelicals). And agnosticism was just dopey (or agnostics were anyway). They were to spirituality what undecided voters are to politics. I wasn’t undecided – I didn’t give a shit. I was a non-voter, a total non-participant. If anyone asked if I believed in God, I’d tell them it wasn’t a relevant question – that it meant nothing to me.

In trying to not be a heroin addict anymore it had become necessary to let some of that antipathy slip away. I had taken to talking about God as if I believed.

But this was Spirituality Group and I hated it. I looked at the letter I had just written and I hated that too. It was like I was trying to be clever with my self-loathing. It made me hate myself even more. I flipped over the letter and started scratching an upside-down cross onto the page, around which I wrote I FUCKING HATE GOD for making me this fucking stupid.

This was on November 1, 2012 – before I learned to use art for emotional regulation. If this is art though, then this is the first time I did it (even if by accident). After scratching down the last of my authentic expression [the words I HATE EVERYTHING] I wasn’t done but I didn’t know what to do. “What else do people consider evil?” I thought.

From that point on, each thing I wrote was sillier than the next. I wasn’t miserable anymore, I was actually having fun.

My favorite part / the coup de grace came when I snuck the least evil thing that I could think of onto the page.

HAKUNA MATATA

—–

Pulp

September 20, 2013

I’m in the middle of a silent temper tantrum, by which I mean I’m not talking and have dedicated myself to staying miserable until I exhaust myself. I used to do this almost every day, but they’ve been pretty few and far between since the day that I consider my “emotional sobriety date.” So – of course – I’m angry and now I’m even angrier with myself for this than I am about the stupid incident that sparked this episode.

Here’s the other of my two 9×12″ learning to draw with charcoal sketches from January.

"Pulp." 1/17/13. Charcoal. 9x12".
“Pulp.” 1/17/13. Charcoal. 9×12″.

In February 2012, I was kicked out of my second rehab in as many months. I found myself running around Delray Beach with the girl I had been kicked out with. I’m not going to try and diagnose her state back then but – if I did something that bothered her – she could flip a switch and go from being totally in love with me to telling me what an ugly, worthless, pathetic, despicable piece of shit I was. On one occasion in our first week out on our own, we were staying in some little shitbox motel. (If you’re familiar with Delray, I’m sure you know it). I don’t remember exactly what went wrong, but it had something to do with heroin or getting more heroin. And – in case I didn’t already hate myself enough (I did) – she was really piling on as much hatred and vitriol as she could manage, to ensure that there wasn’t so much as a shred of self-esteem left in me.

I went into the bathroom. I was crying. I looked at myself in the mirror and couldn’t fucking stand the sight. It made me angry that I was the person looking back at me. So I started punching myself in the face. I don’t remember how many times. Enough that, for a good while after, I looked like someone had kicked the shit out of me pretty well.

Which I’ve always been good at. I’ve always been good at beating myself up. But that was the one time when it was most literal.

 

I’ve had thoughts like these today. I have had these impulses today.

This seems appropriate.

Toilet Humor

September 19, 2013

In writing this statement, I struggled with a tendency to dwell on details that aren’t significant because to skim over them or take anything for granted would run the risk of someone getting the wrong idea. And with something like this, that’s not really a risk I want to take. My intention is not, after all, to upset anyone.

Still,  I don’t want to waste anyone’s time “defending myself” either. There’s enough of me up on this website for any interested parties to get a pretty good idea of what kind of a person I am.

I wrote this statement months ago, but spent the last two hours trying to find the right balances concerning caution, brevity, honesty, and intention.

"Toilet Humor (Sex With Children)." 11/10/12. Watercolor paint, colored pencil, white kids paint, and black crayon. 9x12".
“Toilet Humor.” 11/10/12. Watercolor paint, colored pencil, white kids paint, and black crayon. 9×12″.

Pedophilia is a mental illness characterized by sexual attraction to prepubescent (undeveloped) boys or girls. People can’t control whom they’re attracted to. It’s a mental disorder. I don’t suffer from pedophilia, but I have been diagnosed with borderline personality disorder. I understand what it’s like to have a brain that causes a person to think in ways that they’d rather not. However, just as it’s not okay for me to let my thoughts or feelings control my actions to any extent that would cause harm to another person, it’s not okay for anyone else to do so either – regardless of their specific mental disorder. Being attracted to someone doesn’t give you the right to have sex with them. And since a child isn’t capable of intelligently consenting to sex, it’s not ever okay to have sex with a child.

Shit gets a little bit less clear-cut when we’re talking about adolescents though. An adolescent is a person that has reached physical maturity, and that’s the point when, by nature, others (regardless of age) will begin to find them sexually attractive. Sixteen is the age, in Florida, at which people are (legislatively) deemed to have hit puberty and are thus legally capable of consenting to sex.

Personally, I’m not particularly interested in talking to a sixteen year old, let alone having sex with one. Physical maturity doesn’t equate to emotional maturity and any kind of intimate interaction with someone who’s still emotionally a “child” is nothing I want to experience.

The phrase “sex with children” is interesting to me. Because the word “children” is ambiguous, because teenagers are marketed as sex objects, because statutory rape laws are inconsistent between the states (and are sometimes totally fucked), and because there’s nothing in the world that can spark feelings as intense and hateful as pedophilia.

And because when I was eighteen, I started dating a girl two months before she turned sixteen. So – according to Florida law – I could have been convicted of statutory rape and – had that happened – even now, nine years later, everyone in my neighborhood would have gotten a notice in the mail to inform them that I, a sex offender, was now living in the area.

Adolescents are adults physically, but children emotionally. If two of them have sex with one another, it’s absurd that one should be convicted of a crime. Especially when that conviction (and mandated registration) carries the same stigma as being branded as a pedophile or a rapist.

I’m not eighteen anymore though so that part of this is no longer personally relevant. And while it’s possible that I could still potentially see or meet a sixteen year old that I found attractive, as soon as I found out her age, that would totally overpower any physical attraction that I felt and kill every shred of my interest in her. Still, despite the fact that I live in a culture in which girls that age are marketed to adults, as adults – with sex – to sell [whatever]… it’s still uncomfortable for me to acknowledge. That (and that it’s such a delicate issue, generally), I feel, makes it worth examining.

The decision to paint something with a swastika came as the result of a really silly conversation (earlier on the day that I painted this) that got me thinking about context and symbols  (or statements) that evoke powerful emotional responses.

A piece of art communicates a lot of different messages (whether intended or not) and the nature of art is such that the intentional messages aren’t always immediately clear. For that reason, while I understand that art can upset a person for any number of reasons, it seems pretty unreasonable that anyone should ever become angry (or, specifically, angry with the artist) on the sole basis of their interpretation of a piece. So I wanted to play with that, using the most powerful symbol of hate that I know: the swastika.

Since I was already plotting to paint something as prima facie controversial as “Sex With Children,” I figured it made sense to do this all in one blast. By putting that phrase and this (totally unrelated) symbol together, I thought I could accomplish everything that I wanted by bringing these things to the surface in a way that is so absurdly offensive that no one could possibly walk away from it thinking that it was created with malice of any kind. To believe otherwise would be to think the piece is a declaration that I support (and enjoy!) the fucking of children BUT HATE JEWS. I’d like to think that it’s totally implausible that there exists in the world anyone who’d feel the need to paint something with that communiqué as his or her end.

I would be really upset to find out that anyone was personally offended by this. On the other hand, anyone who has a problem with it because “it’s [potentially] offensive [to someone else]” (and hasn’t themselves been the victim of pedophilia or anti-Semitism) can fuck off.

On the other hand, anyone that has a problem with this because “it’s stupid” – well, that I totally understand. I’m not sure that I’d even disagree with you. Everything I’ve written is true but also, admittedly, I probably painted this just to fuck with people a little bit. I might enjoy making people just a little uncomfortable.

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